Reference Manual EN
Contents 1 Voices – Playing the Keyboard – 4 Voice Characteristics .................................................................................................................................................. 4 Selecting GM/XG or Other Voices from the Panel .................................................................................................... 5 Effect-Related Settings .......................................................................................................................
10 Connections – Using Tyros3 with Other Devices – 102 Microphone Settings .............................................................................................................................................. 102 Footswitch/Foot Controller Settings ...................................................................................................................... 109 MIDI Settings...................................................................................................................
Voices – Playing the Keyboard – Contents Voice Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Selecting GM/XG or Other Voices from the Panel . . . . . . . . . . 5 Effect-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 • Setting the Touch Sensitivity of the Keyboard. . . . . . . . . . . . . . . . .6 • Selecting the Harmony/Echo type . . . . . . . . . . . . . . . . . . . . . . . . .7 Pitch-Related Settings. . . . . . . . . . . . . . . . .
Live!Drums These are high-quality drum sounds taking full advantage of Stereo Sampling and Dynamic Sampling. Live!SFX These are high-quality Latin percussion sounds taking full advantage of Stereo Sampling and Dynamic sampling. They give you a broader and more versatile range of Latin percussion than the normal drum Voices. Custom! Custom Voices (including Custom Drum Voices) which you have created by using the Custom Voice function.
Effect-Related Settings Setting the Touch Sensitivity of the Keyboard You can adjust the touch response of the instrument (how the sound responds to the way you play the keys). The touch sensitivity type becomes the common setting for all Voices. 1 Call up the operation display.
Selecting the Harmony/Echo type You can select the desired Harmony/Echo effect from a variety of types. 1 2 NOTE When the [MONO] button is turned to on or you use the SA/SA2 Voices, the Harmony/Echo effect may not work properly. Turn the [HARMONY/ECHO] button on. Call up the operation display. [FUNCTION] → [F] HARMONY/ECHO 3 Use the [1 ▲▼]–[3 ▲▼] buttons to select the Harmony/Echo type. The Harmony/Echo types are divided into the following groups, depending on the particular effect applied.
● Echo Types When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the note played in the right-hand section of the keyboard in time with the currently set tempo, regardless of the [ACMP] and the LEFT part on/off status. Keep in mind that Trill works when you hold down two notes on the keyboard simultaneously (last two notes if more than two notes are held), and it plays those notes alternately.
Pitch-Related Settings Fine-tuning the Pitch of the Entire Instrument You can fine-tune the pitch of the entire instrument—useful when you play the Tyros3 along with other instruments or CD music. Please note that the Tune function does not affect the Drum Kit or SFX Kit Voices. 1 Call up the operation display. [FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [Q][W] MASTER TUNE 2 Use the [4 ▲▼]/[5 ▲▼] buttons to set the tuning, from 414.8–466.8 Hz.
3 Change the following settings as necessary. NOTE To register the Scale Tune settings to the Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS display. Voices – Playing the Keyboard – 1 [2 ▲▼] BASE NOTE Determines the base note for each scale. When the base note is changed, the pitch of the keyboard is transposed, yet maintains the original pitch relationship between the notes.
Editing Voices (Voice Set) The Tyros3 has a Voice Set feature that allows you to create your own Voices by editing some parameters of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER drive or external devices for future recall. 1 Select the desired Voice (other than an Organ Flutes Voice). The editing method is different for the ORGAN FLUTES Voices compared to other Voices. For instructions on editing the ORGAN FLUTES Voices, see page 16.
Editable Parameters in the VOICE SET Displays The Voice Set parameters are organized into five different displays. The parameters in each display are described separately, below. NOTE The available parameters differ depending on the Voice. ■ COMMON Page [1 ▲▼] VOLUME Adjusts the volume of the current edited Voice. [2 ▲▼]/ [3 ▲▼] TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the volume responds to your playing strength.
● 2 AFTERTOUCH Aftertouch can be used to modulate the parameters below. Here, you can set the degree to which Aftertouch modulates each of the following parameters. [2 ▲▼] FILTER Determines the degree to which Aftertouch modulates the Filter Cutoff Frequency. See below for details about Filter. [3 ▲▼] AMPLITUDE Determines the degree to which Aftertouch modulates the amplitude (volume). [5 ▲▼] LFO PMOD Determines the degree to which Aftertouch modulates the pitch, or the vibrato effect.
● VIBRATO Pitch SPEED Vibrato is a quavering, vibrating sound effect that is produced by regularly modulating the pitch of the Voice. DEPTH DELAY Time Voices – Playing the Keyboard – 1 [6 ▲▼] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a more pronounced Vibrato. [7 ▲▼] SPEED Determines the speed of the Vibrato effect. [8 ▲▼] DELAY Determines the amount of time that elapses between the playing of a key and the start of the Vibrato effect.
Disabling Automatic Selection of Voice Sets (Effects, etc.) Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant display as explained below. For example, if you want to change the Voice yet keep the same Harmony effect, set the HARMONY/ECHO parameter to OFF (in the display explained below). 1 Call up the operation display.
Editing Organ Flutes Parameters The Organ Flute Voices selected from the [ORGAN FLUTES] button can be edited by adjusting the footage levers, adding the attack sound, applying effect and equalizer, etc. ■ FOOTAGE Page Refer to the Owner’s Manual. ■ VOLUME/ATTACK Page CAUTION After editing, go to the Voice Selection display by pressing the [I] (PRESETS) button and save the setting.
Creating Custom Voices (Voice Creator) The powerful Voice Creator features of the Tyros3 give you the tools to create your own original Voices. Voice Creator allows you to import your own “Wave” (audio samples in WAV or AIFF format), and assign them to the keys— building completely new Voices with completely new sounds. Two types of Voices can be created: Normal Voice (see below) and Drum Voice (page 22). The creating procedure differs depending on the Voice type.
2 Turn the PART SELECT [RIGHT 1] button to on, then select a Voice. When you are creating a Custom Voice from scratch, select an “empty” Voice from the [EXPANSION] button. If you are creating a Voice by adding Wave files to an existing Voice, press the desired VOICE button and select the desired Voice. 3 NOTE If you have selected the [PERC./SFX KIT] category, make sure NOT to select Drum Voice (“Drums” is displayed above the Voice name). Press the [VOICE CREATOR] button to call up the Voice Creator.
6-4 Press the [7 ▼] (OK) button. The file properties for the audio data are shown for confirmation purposes. 6-5 At the prompt, press the [F] (YES) button. To cancel, press the [G] (NO) button. 1 Set the parameters for the imported Wave in the ADD WAVE display. From this display, you can set a number of parameters related to how the sound will be mapped to the keyboard. 8 [D] PROPERTY Shows the Property display (page 25).
8 Execute importing by pressing the [H] (EXECUTE) button. To cancel importing, press the [8 ▲▼] (CANCEL) button. 9 10 If you want to import another Wave to this Element, repeat steps 6–8. Set the parameters for the currently selected Element in the KEY MAPPING display. NOTE If you want to save the Voice at this point, press the [J] (SAVE) button. The SAVE & ASSIGN display will appear. Refer to steps 13–14 below about the SAVE & ASSIGN display. Each time you make some change (e.g.
14 Assign the file (saved on step 13) to an Expansion Voice bank. This step assigns the saved Voice to the Expansion Voice bank, letting you select it from the [EXPANSION] button on the panel. In this step, the link between the Expansion Voice bank and the saved Voice file is actually stored. 14-1 Press the [J] (ASSIGN BANK) button. 14-2 Select the desired location in the bank by using the [A]–[J] buttons. 14-3 Press the [6 ▼] (ASSIGN) button.
Creating Drum Voices (Custom Drum Voice) By assigning Wave files to each key, you can create your original Drum Voices—not only by creating the Voice from scratch, but also by replacing specific sounds (keys) within an existing Drum Voice with Wave files and by editing selected parameters of each key. The resulting Voice is called a Custom Drum Voice and can be selected and played in the same way as all other Tyros3 Voices.
4 Press the [G] (WAVE IMPORT) button to call up the DRUM MAPPING display. 6 5 5 1 Specify the key to be edited or which Wave file is to be imported. 6 If you want to import the Wave to the selected key, press the [F] (ADD WAVE) button. For details on the import procedure, refer to step 6 on page 18. 7 Set the parameters for the selected key in the DRUM MAPPING display. 10 9 [A] ALL SOUND OFF Stops all sounds. [D] PROPERTY Shows the Property display (page 25).
8 9 Repeat steps 5–7 to edit each key. Press the [8 ▲▼] (VOICE SET) button and edit the Voice Set parameters (page 12). After you finish editing the Voice Set parameters, press the [EXIT] button to show the DRUM MAPPING display again. 10 Press the [J] (SAVE) button to call up the SAVE & ASSIGN display Save the created Drum Voice as a file, then assign it to the Expansion Voice Bank. For details, refer to steps 13–14 on page 20.
Property display When the available memory space has been taken up with large amounts of audio data, you may want to delete large Custom Voices to create space, yet not know which Voices are large and taking up much space. In the Property display, you can check the Memory Status (below), as well as the File Property (name, location, size and Wave count) of the currently selected Expansion Voice. 1 To close the Property display, press the [F] (OK) button.
Saving your Custom Voices to a Library—Library Save Once you’ve created some Custom Voices (including Custom Drum Voices), you’ll want to keep them together in a Library file. Library Save lets you create a Library file for storing your Custom Voices and keeping them organized for future use. 1 Call up the operation display. [VOICE CREATOR] → [C] LIBRARY SAVE Voices – Playing the Keyboard – 1 2 Use the TAB [Q][W] buttons to select the desired tab page: CUSTOM VOICE or CUSTOM DRUM.
[G] ALIAS Saves only Alias markers (shortcuts) of the selected data to the specified location. This lets you save multiple Libraries of your Voice data and make multiple folders containing different collections of your Voices, without taking up additional memory space on the drive. As long as the Voice data exists in one location on the drive, you can save an Alias that will recall that data.
Loading an Expansion Voice Bank (Library) to the Tyros3—Library Load This operation lets you recall the Custom Voices you’ve saved to a Library file (in Library Save on page 26), and load them to the Tyros3. 1 Call up the operation display. [VOICE CREATOR] → [A] LIBRARY LOAD 2 3 By using the [A]–[J] buttons, select the desired Library file. If the instrument does not contain Library files, the selected file is automatically loaded.
Editing a Custom Voice on your computer—Voice Editor Once you’ve created a Custom Voice (including Custom Drum Voice) with the Voice Creator features, you can transfer that Voice to a computer and use the comprehensive Voice Editor software (included on the CD-ROM) to edit all the parameters from your computer. The Voices you create can be saved to the PRESET tab page on the Tyros3 as Custom Voices, and can be called up any time by pressing the [EXPANSION] button.
Styles – Playing Rhythm and Accompaniment – Contents Selecting the Chord Fingering Type . . . . . . . . . . . . . . . . . . . . 30 Style Playback Related Settings . . . . . . . . . . . . . . . . . . . . . . . 32 Split Point Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Memorizing the Original One Touch Setting . . . . . . . . . . . . . 35 Creating/Editing Styles (Style Creator) . . . . . . . . . . . . . . . . . 36 • Realtime Recording . . . . . . . . . . . . . . . . . . . .
● Chord Fingering Types SINGLE FINGER Makes it simple to produce orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the Chord section of the keyboard. This type is available only for Style playback. The abbreviated chord fingerings described at right are used: C C7 For a major chord, press the root key only. Cm For a minor chord, simultaneously press the root key and a black key to its left.
Style Playback Related Settings The Tyros3 has a variety of Style playback functions which can be accessed in the display below. 1 Call up the operation display. [FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [Q][W] STYLE SETTING 2 Use the [1 ▲▼]–[8 ▲▼] buttons for each setting.
[4 ▲▼] STYLE TOUCH Turns touch response for the Style playback on/off. When this is set to “ON,” the Style volume changes in response to your playing strength in the chord section of the keyboard. [5 ▲▼]/ [6 ▲▼] SECTION SET Determines the default section that is automatically called up when selecting different Styles (when Style playback is stopped). When set to “OFF” and Style playback is stopped, the active section is maintained even if the different Style is selected.
Split Point Settings These are the settings (there are three Split Points) that separate the different sections of the keyboard: the Chord section, the LEFT part section, the RIGHT 1–2 section and RIGHT 3 section. The three Split Point settings (below) are specified as note names. Split Point (S) Chord section 1 Voice LEFT Split Point (R) Voice RIGHT 1–2 Voice RIGHT 3 Call up the operation display.
Memorizing the Original One Touch Setting You can create your own One Touch Setting setups. 1 2 3 Select the desired Style to memorize your One Touch Setting. Set up the panel controls (such as Voice, effects, and so on) as desired. Press the [MEMORY] button. 3 Press one of the ONE TOUCH SETTING [1]–[4] buttons. A message appears in the display prompting you to save the panel settings. 5 Press [F] (YES) button to call up the Style Selection display and save the panel settings as a Style file.
Creating/Editing Styles (Style Creator) Sections Channels Styles – Playing Rhythm and Accompaniment – 2 Styles are made up of fifteen different sections and each section has eight separate channels. With the Style Creator feature, you can create a Style by separately recording the channels, or by importing pattern data from other existing Styles. You can use one of the three different methods described below to create a Style. The created Style can also be edited.
Realtime Recording In the BASIC Page, you can create a single Style by recording the individual channels one-by-one, using realtime recording. Realtime Recording Characteristics—Loop Recording and Overdub Recording ● Loop Recording Style playback repeats the rhythm patterns of several measures in a “loop,” and Style recording is also done using loops. For example, if you start recording with a two-measure MAIN section, the two measures are repeatedly recorded.
6 Specify the channel to be recorded by simultaneously holding down the [F] (REC CH) button and pressing the appropriate numbered button, [1 ▼]–[8 ▼]. To cancel the selection, press the corresponding [1 ▼]–[8 ▼] button again. 6 7 Styles – Playing Rhythm and Accompaniment – 2 7 Call up the Voice Selection display by using the [1 ▲]–[8 ▲] buttons and select the desired Voice for the corresponding recording channels. Press the [EXIT] button to close the Voice Selection display.
10 11 To continue recording with another channel, repeat steps 6 –9. Stop recording by pressing the STYLE CONTROL [START/STOP] button. 12 Press the [EXIT] button to close the RECORD display. 13 Press the [I] (SAVE) button to execute the Save operation. CAUTION Rules when recording non-rhythm channels • Use only the CM7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A, and B). • Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B).
Step Recording In the EDIT Page, you can record notes with absolutely precise timing. This Step Recording procedure is essentially the same as that for Song Recording (page 56) with the exception of the points listed below: • In the Song Creator, the End Mark position can be changed freely; in the Style Creator, it cannot be changed. This is because the length of the Style is automatically fixed, depending on the selected section.
4 Select the channel for which you wish to replace the pattern by using the [A]–[D] and [F]–[I] buttons. Call up the Style Selection display by pressing the same button again. Select the Style containing the pattern you want to replace in the Style Selection display. To return to the previous screen, press the [EXIT] button after selecting the Style.
Editing the Rhythmic Feel 1 2 3 1 Styles – Playing Rhythm and Accompaniment – 2 1 In the GROOVE Page, use the [A]/[B] buttons to select the edit menu, then edit the data by using the [1 ▲▼]–[8 ▲▼] buttons. ● 1 GROOVE This lets you add swing to the music or change the “feel” of the beat by making subtle shifts in the timing (clock) of the Style. The Groove settings are applied to all channels of the selected Style.
● 2 DYNAMICS This changes the velocity/volume (or accent) of certain notes in the Style playback. The Dynamics settings are applied to each channel or all channels of the selected Style. CHANNEL Selects the desired channel (part) to which Dynamics is to be applied. [3 ▲▼]/ [4 ▲▼] ACCENT TYPE Determines the type of accent applied—in other words, which notes in the part(s) are emphasized with the Dynamics settings.
Editing Data for Each Channel 1 4 5 2 1 Styles – Playing Rhythm and Accompaniment – 2 3 In the CHANNEL Page, use the [A]/[B] buttons to select the edit menu. ● 1 QUANTIZE Same as in the Song Creator (page 64), with the exception of the two additional available parameters below. Eighth notes with swing Sixteenth notes with swing ● 2 VELOCITY CHANGE Boosts or cuts the velocity of all notes in the specified channel, according to the percentage specified here.
Making Style File Format Settings The Style File Format (SFF) combines all of Yamaha’s auto accompaniment (Style playback) know-how into a single unified format. By using the Style Creator, you can take advantage of the power of the SFF format and freely create your own Styles. The chart shown below indicates the process by which the Style is played back. (This does not apply to the rhythm track.) These parameters can be set via the Style Creator feature, in the PARAMETER Page.
● 1 SOURCE (PLAY) ROOT/CHORD NOTE These settings determine the original key of the source pattern (i.e., the key used when recording the pattern). The default setting of CM7 (with a Source Root of “C” and a Chord Type of “M7”), is automatically selected whenever the preset data is deleted prior to recording a new Style, regardless of the Source Root and Chord included in the preset data.
NTT (Note Transposition Table) When the NTR is set to ROOT TRANS or ROOT FIXED BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do any note conversion. When NTR is set to ROOT TRANS, the table used only converts the notes by maintaining the pitch relationship between notes. MELODY Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2. CHORD Suitable for chordal parts transposition.
● 3 HIGH KEY / NOTE LIMIT [4 ▲▼]/ [5 ▲▼] HIGH KEY This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 46) is set to “Root Trans.” Example—When the highest key is F.
Songs – Recording Your Performances and Creating Songs – Contents Editing Music Notation Settings . . . . . . . . . . . . . . . . . . . . . . . 49 Editing Lyrics Display Settings . . . . . . . . . . . . . . . . . . . . . . . . 51 Song Playback Related Parameters (Repeat settings, Channel settings, Guide Function) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 • Keyboard and Vocal Practice Using the Guide Function . . . . . . . .
[4 ▲▼] LYRICS ON/OFF Enables/disables display of the lyrics. If the selected Song does not contain lyric data, lyrics are not displayed. When the Song contains Pedal events, pressing these buttons can display the Pedal events, instead of displaying Lyrics. [5 ▲▼] NOTE ON/OFF Enables/disables display of the note name (pitch). The note name is indicated at the left of the note. When the space between the notes is too small, the indication may be moved to the top left of the note.
Editing Lyrics Display Settings To view the lyrics of the selected Song, press the [LYRICS/TEXT] button. If the selected Song contains lyric data, you can have the lyrics shown in the display. Even if the Song does not contain lyrics data, you can input and show the lyrics, or you can show a text file (created on a computer, .txt file less than 60KB) in the display.
Song Playback Related Parameters (Repeat settings, Channel settings, Guide Function) The Tyros3 has a variety of Song playback functions: • Listen to (or practice along with) your favorite Song repeatedly—with Repeat Playback. • Play back all of the Songs in a particular folder—repeatedly or at random—for your listening pleasure. • Play back all of the Songs in all of the folders.
[5 ▲▼]/ [6 ▲▼] LYRICS LANGUAGE Determines the language of the displayed lyrics. AUTO: When the language is specified in the Song data, the lyrics are displayed accordingly. When the language is not specified in the Song data, the lyrics language is regarded as INTERNATIONAL below. INTERNATIONAL: Handles the displayed lyrics as a western language. JAPANESE: Handles the displayed lyrics as Japanese.
There are four Guide function type: two are for keyboard practice and two are for singing. Guide menu for keyboard practice • Follow Lights: When this is selected, Song playback pauses, waiting for you to play the notes correctly. When you play the correct notes, Song playback continues. Follow Lights was developed for the Yamaha Clavinova series. This function is used for practicing purposes, with built-in lamps on the keyboard indicating the notes to be played.
Playing Backing Parts with the Performance Assistant Technology This feature makes it exceptionally easy to play the backing parts along with Song playback. 1 Select a Song. 2 Call up the operation display. NOTE To use the performance assistant technology, the Song must contain chord data. If the Song contains this data, the current chord name will be displayed in the Main display during Song playback, letting you easily check whether the Song contains chord data or not.
Creating/Editing Songs (Song Creator) To create a Song, you can compose your performance by entering it one event at a time (called “Step Recording”), as well as recording your performance in real time (described in the Owner’s Manual). This section explains operations of Step Recording and re-recording or editing existing Song data. Call up the operation display.
5 Start Step Recording. When a note is input, the location (bar: beat: clock), note name, velocity and length are shown as a list. Moves the cursor in the list. [G] Determines the velocity (loudness) of the note to be entered. The velocity value can be specified within a range from 1 to 127. The higher the velocity value, the louder the sound becomes. KBD.
Example of Step Recording—Melodies 1–5 6–8 9–11 12 13–17 * The numbers shown in the illustration correspond to the following operation step numbers. In this example, keep in mind that one of the steps involves holding down a key on the keyboard while executing the operation. Select the Voice for recording after calling up the Step Recording display. Songs – Recording Your Performances and Creating Songs – 3 1 Press the [G] button to select “f.” 2 Press the [H] button to select “Tenuto.
18 Press the [STOP] button (or press the [C] button) to return to the top of the Song, then hear the newly entered Song by pressing the [PLAY/ PAUSE] button. 19 Press the [EXIT] button to exit from the Step Recording display. 20 Press the [I] (SAVE) button to execute the Save operation. CAUTION The recorded Song data will be lost if you select another Song or turn the power to the instrument off without executing the Save operation.
Example of Step Recording—Chords 1 4 7 MAIN A BREAK MAIN B C F 2,3 G F G7 5,6 C * The numbers shown in the illustration correspond to the following operation step numbers. 8,9 Before starting, make sure the [AUTO FILL IN] button is set to off. 1 3 1 3 Songs – Recording Your Performances and Creating Songs – Press the STYLE CONTROL [MAIN A] button. C F G 2 2 Press the [5 ▲▼] button to select the half-note length. 3 Play the chord C, F and G in the chord section of the keyboard.
8 Press the [4 ▲▼] button to select the whole-note length. 9 Play the chord C in the chord section of the keyboard. 10 11 12 13 Press the [STOP] button (or press the [C] button) to return to the top of the Song, then hear the newly entered Song by pressing the [PLAY/ PAUSE] button. Press the [EXIT] button to exit from the Step Recording display. Press the [F] (EXPAND) button to convert the input chord change data into the Song data. Press the [I] (SAVE) button to execute the Save operation.
[4 ▲▼]– [6 ▲▼] REC END (Punch Out) Determines the Punch Out timing. [7 ▲▼]/ [8 ▲▼] PEDAL PUNCH IN/OUT When this is set to ON, you can use Foot Pedal 2 to control the Punch In and Punch Out points. While a Song is playing back, pressing (and holding) Foot Pedal 2 instantly enables Punch In recording, while releasing the pedal stops recording (Punch Out). You can press and release Foot Pedal 2 as often as you want during playback to punch in/out of overwrite recording.
Editing Channel Events 1 2 3 1 1 In the CHANNEL Page, use the [A]/[B] buttons to select the edit menu, then edit the data by using the [1 ▲▼]–[8 ▲▼] buttons. 3 For details of the edit menu and available settings, see page 64. Press the [D] (EXECUTE) button to execute the operation for the current display. After the operation (with the exception of the SETUP menu) is completed, this button changes to “UNDO,” letting you restore the original data if you are not satisfied with the operation results.
● 1 QUANTIZE The Quantize function allows you to align the timing of all the notes in a channel. For example, if you record the musical phrase shown at right, you may not play it with absolute precision, and your performance may have been slightly ahead of or behind the precise timing. Quantize is a convenient way of correcting for this. [2 ▲▼]/ [3 ▲▼] CHANNEL Determines which MIDI channel in the Song data is to be quantized. [4 ▲▼]– [6 ▲▼] SIZE Selects the quantize size (resolution).
● 3 MIX This function lets you mix the data of two channels and place the results in a different channel. It also lets you copy the data from one channel to another. [2 ▲▼]/ [3 ▲▼] SOURCE 1 Determines the MIDI channel (1–16) to be mixed. All MIDI events of the channel specified here are copied to the destination channel. [4 ▲▼]/ [5 ▲▼] SOURCE 2 Determines the MIDI channel (1–16) to be mixed. Only note events of the channel specified here are copied to the destination channel.
Editing Chord Events, Notes, System Exclusive Events and Lyrics You can edit the chord events, note events, system exclusive events and lyrics in the same manner on the corresponding display: CHORD, 1-16, SYS/EX and LYRICS. These displays are called “Event List display” because some events are shown in a list view. Event List display Indicates the location (position) of the corresponding event. Indicates the event value. Indicates the event type. See pages 67–68.
● Chord Events (CHORD Page) Style Style Tempo Tempo Chord Chord root, Chord type, On Bass Chord Sect Style Section (Intro, Main, Fill In, Break, Ending) OnOff On/off status for each part (channel) of the Accompaniment Style CH.Vol Volume for each part (channel) of the Accompaniment Style S.Vol Overall volume of the Accompaniment Style ● Note Events (1-16 Page) The individual note of a Song.
● Lyrics Events (LYRICS Page) Name Allows you to enter the Song name. Lyrics Allows you to enter lyrics. Codes CR: Enters a line break in the lyrics text. LF: Deletes the currently displayed lyrics and displays the next set of lyrics. Displaying Specific Types of Events In the Event List displays, various types of events are shown. It may sometimes be difficult to pinpoint the ones you want to edit. This is where the Filter function comes in handy.
Editing Song Position Markers This section covers two additional Marker-related features and details. For basic information on using the Markers for jump playback and loop playback, refer to the Owner’s Manual. ● Jump Markers The Markers explained in the Owner’s Manual are also called “Jump Markers.” In the Event List display, they are indicated as “SPJ-01”–”SPJ-04” (page 67).
Multi Pads – Adding Musical Phrases to Your Performance – Contents Multi Pad Creating (Multi Pad Creator) . . . . . . . . . . . . . . . . . 70 • Multi Pad Realtime Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . .70 • Multi Pad Step Recording (EDIT) . . . . . . . . . . . . . . . . . . . . . . . . .71 Multi Pad Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
7 Start recording. Recording begins automatically as soon as you play on the keyboard. You can also start recording by pressing the STYLE CONTROL [START/STOP] button. This lets you record as much silence as you want before the start of the Multi Pad phrase. If Chord Match is set to on for the Multi Pad to be recorded, you should record using the notes of the C major seventh scale (C, D, E, G, A and B). NOTE C R C 8 C R C The SA, SA2 and Organ Flute Voices cannot be recorded.
Multi Pad Editing From the MULTI PAD EDIT display, you can rename, copy or delete a Multi Pad. 1 2 3 4 Press the MULTI PAD CONTROL [SELECT] button to call up the Multi Pad Bank Selection display, then select a Bank to be edited. Press the [8 ▼] (EDIT) button to call up the MULTI PAD EDIT display. Select a particular Multi Pad to be edited by pressing any of the [A], [B], [F] and [G] buttons. Edit the selected Pad as desired.
Music Finder – Calling Up Ideal Setups for Your Music – Contents Creating a Set of Favorite Records . . . . . . . . . . . . . . . . . . . . . 73 Editing Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Saving the Record as a Single File. . . . . . . . . . . . . . . . . . . . . . 75 • Calling Up Music Finder Records Saved to USER/HD/USB . . . . . . .75 Viewing Record Information on the Internet. . . . . . . . . . . . .
Editing Records You can create a new record by editing the currently selected record. Up to 2500 records (including internal records) can be recorded. 1 Select the desired record to be edited in the MUSIC FINDER display. 2 Press the [8 ▲▼] (RECORD EDIT) button to call up the EDIT display. 3 Edit the record as desired. Music Finder – Calling Up Ideal Setups for Your Music – 5 [A] MUSIC Edits the song name/keyword.
Saving the Record as a Single File The Music Finder feature handles all the Records including the presets and additionally created records as a single file. Keep in mind that individual records (panel setups) cannot be handled as separate files. 1 Call up the Save display. [MUSIC FINDER] → [7 ▲▼] FILES 2 Press the TAB [Q][W] buttons to select the location for saving (USER/ HD/USB). 3 Press the [6 ▼] (SAVE) button to save the file.
Viewing Record Information on the Internet This service provides information on Music Finder records that you may be interested in. It also provides song downloads for your particular instrument as well as downloadable Music Finder records you can load to your instrument. For more details about this service, go to the following website. http://music.yamaha.com/idc/ 1 2 3 Make sure that your Tyros3 is connected to the Internet, and press the [MUSIC FINDER] button to call up the MUSIC FINDER display.
Registration Memory – Saving and Recalling Custom Panel Setups – Contents Disabling Recall of Specific Items (Freeze) . . . . . . . . . . . . . . . 77 Calling Up Registration Memory Numbers in Order (Registration Sequence) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 • Confirming the Registration Sequence Setting in the Main Display . . 79 • Saving the Registration Sequence Settings . . . . . . . . . . . . . . . . . .
Calling Up Registration Memory Numbers in Order (Registration Sequence) As convenient as the Registration Memory buttons are, there may be times during a performance when you want to quickly switch between settings—without having to take your hands from the keyboard. The convenient Registration Sequence function lets you call up the eight setups in any order you specify, by simply using the TAB [Q][W] buttons or the pedal as you play. 1 Select the desired Registration Memory bank to program a sequence.
5 Program the Sequence order, from left to right. Press one of the REGISTRATION MEMORY [1]–[8] buttons on the panel, then press the [6 ▲▼] (INSERT) button to input the number. Indicates the Registration Memory numbers, in the order of the current Registration Sequence. [1 ▲▼]– [4 ▲▼] CURSOR Moves the cursor. [5 ▲▼] REPLACE Replaces the number at the cursor position with the currently selected Registration Memory number.
Recording Audio with the Hard Disk Recorder Contents Importing an Audio File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Editing the Recorded Data . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 • (1) Normalize. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82 • (2) Adjusting the Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82 • (3) Replacing the Main/Sub Tracks . . . . . . . . . . . . . . . . . . . . . . . .
3 Press the [8 ▼] (CHANGE MENU) button if necessary, then call up the Import function by pressing the [7 ▼] (WAVE IMPORT) button. 4 3 5 4 Select the desired device as a destination by using the TAB [Q][W] buttons. Generally, a USB device will show up as “USB1” in the display. When the device is selected, all folders and audio files on the device are automatically shown. 5 Press the [6 ▼] (IMPORT) button.
Editing the Recorded Data In the display called up by pressing the HARD DISK RECORDER [SETTING] button, you can edit the recorded data. After you finish editing, press the [I] (SAVE) button to save the edition. VOLUME Page REC MODE Page (4) (1) (3) (2) (1) Normalize Normalize raises the volume of the recorded audio to the optimum level. Use this to make the recorded audio as loud as possible, without distortion.
Re-recording You can re-record the data which you created in the following five ways. • Replace the whole data: NORMAL REC.....................................................See below • Mix the recorded data: NORMAL REC (PLUS PLAYBACK)..........................See below • Replace a certain range of the data: PUNCH IN/OUT ............................See page 84 • Overdub a certain range of the data: PUNCH IN/OUT (MERGE) ............See page 84 • Merge the Main and Sub tracks to the Main track: BOUNCE ......
9 To hear your new recording, press the [PLAY/PAUSE] button. If you’ve made a mistake or you’re not completely satisfied with your performance, you can undo the operation by pressing [H] (UNDO) button on the REC MODE page. 10 Press the [I] (SAVE) button to save the recording. NOTE The Hard Disk Recorder automatically reduces the level of the previous track by a certain, slight amount to accommodate the new recording. This is done to minimize possible distortion.
5 Select the desired Punch In/Out Mode, using the [1 ▲▼]/[2 ▲▼] (MODE) buttons. 5 • MANUAL .............. This lets you manually execute Punch In/Out recording by using the Hard Disk Recorder transport buttons ([REC], [PLAY/PAUSE], etc.). • PEDAL .................. This lets you manually execute Punch In/Out recording by using a connected footswitch to the FOOT PEDAL 2 jack. • AUTO ................... This lets you specify the Punch In and Out points, allowing automatic Punch In/Out recording (see below).
6 Record the specific part of the audio song using the one of the methods below. Manual Press the HARD DISK RECORDER [REC] button and press the [PLAY/PAUSE] button to engage the record mode, then press the [REC] and [PLAY/PAUSE] buttons simultaneously to actually record. To stop recording, press the HARD DISK RECORDER [STOP] button. Pressing the HARD DISK RECORDER [PLAY/PAUSE] button during recording pauses the recording. NOTE The playback sound of the other (not rerecorded) track is not recorded.
Playlist Mode The Playlist is a convenient feature within the Hard Disk Recorder that lets you collect and organize audio files for automatic playback in “jukebox” fashion. The Playlist mode can be active in the background (for example, when the Main display is selected), letting you play the listed files whenever you wish during your performance.
4 5 Press the [EXIT] button to return to the Playlist display. Use the [7 ▲▼] buttons to select a file for playback, then actually enter it by pressing the [8 ▼] (SELECT) button. You can also use the [DATA ENTRY] dial to move the cursor and press the [ENTER] button to actually select the song. To have the files play back from the beginning of the Playlist, select the first file.
[G]–[J] Playlist navigation controls. • [G]: Moves cursor/selection to the top of the list. • [H]: Moves cursor/selection one page up (when there are multiple pages). • [I]: Moves cursor/selection one page down (when there are multiple pages). • [J]: Moves cursor/selection to the bottom of the list (just below last entered file). [2 ▲▼] MOVE Up/Down Use these buttons to move the selected file to another location in the list.
Mixing Console – Editing the Volume and Tonal Balance – Mixing Console – Editing the Volume and Tonal Balance – Contents Editing VOL/VOICE Parameters . . . . . . . . . . . . . . . . . . . . . . . 90 • Song Auto Revoice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91 Editing FILTER Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Editing TUNE Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Editing EFFECT Parameters . . . . . . . . . . . . .
Song Auto Revoice This feature lets you use the high-quality sounds of the Tyros3 to full advantage with XG-compatible song data. When you play back any commercially available XG song data or that created on other instruments, you can use Auto Revoice to automatically assign the specially created Voices of the Tyros3 (Live!, Cool!, etc.) instead of the conventional XG Voices of the same type. 1 Press the [G] (SETUP) button in the VOL/VOICE Page of the Mixing Console display.
Mixing Console – Editing the Volume and Tonal Balance – Editing FILTER Parameters 8 [D]/[I] HARMONIC CONTENT Allows you to adjust the resonance effect (page 13) for each part. [E]/[J] BRIGHTNESS Determines the brightness of the sound for each part by adjusting the cutoff frequency (page 13). Editing TUNE Parameters [A]/[B]/ [F]/[G] PORTAMENTO TIME Portamento is a function that creates a smooth transition in pitch from the first note played on the keyboard to the next.
Editing EFFECT Parameters TYPE Selects the desired effect type. See below. [B]/[C]/ [G]/[H] REVERB Adjusts the amount of the Reverb sound for each part or channel. [D]/[I] CHORUS Adjusts the amount of the Chorus sound for each part or channel. [E]/[J] DSP Adjusts the amount of the DSP sound for each part or channel. Selecting an Effect type and Creating a User Effect 1 Press the [F] (TYPE) button in the EFFECT Page of the Mixing Console display. The Effect Type Selection display is called up.
Mixing Console – Editing the Volume and Tonal Balance – 2 3 Use the [1 ▲▼]/[2 ▲▼] buttons to select the effect BLOCK. NOTE Effect Block Effect-applicable parts Effect characteristics REVERB All parts Reproduces the warm ambience of playing in a concert hall or jazz club. CHORUS All parts Produces a rich, “fat” sound as if several parts are being played simultaneously. In addition, other type effects (such as reverb, delay, etc.) can also be selected in this effect block.
8 Select one of the parameters you want to edit by using the [4 ▲▼]/[5 ▲▼] buttons, then adjust the value by using the [6 ▲▼]/[7 ▲▼] buttons. If you have selected the REVERB, CHORUS or DSP1 effect block in step 2, you can adjust the Effect Return Level by pressing [8 ▲▼] button. To re-select the Effect block, category and type, use the [1 ▲▼]–[3 ▲▼] buttons. The re-selected effect configuration is displayed at the upper left side box in the display.
Mixing Console – Editing the Volume and Tonal Balance – Editing EQ Parameters [A]/[B] TYPE Selects the desired Master EQ type. This affects the overall sound of the instrument. [F] EDIT For editing the Master EQ. See page 97. [D]/[I] EQ HIGH Boosts or attenuates the high EQ band for each part. [E]/[J] EQ LOW Boosts or attenuates the low EQ band for each part.
Editing and Saving the Selected EQ 1 Press the [F] (EDIT) button in the EQ Page of the Mixing Console display. The MASTER EQ EDIT display is called up. 2 5 2 3 Use the [A]/[B] buttons to select a preset EQ type. The set parameters of the selected EQ type are automatically shown at the bottom of the display. 3 Use the [3 ▲▼]–[7 ▲▼] buttons or sliders to boost or cut each of the five bands. Use the [8 ▲▼] buttons to boost or cut all the five bands at the same time.
Line Out Settings PANEL Page DRUM & PERCUSSION Page Mixing Console – Editing the Volume and Tonal Balance – Press [F] button [F] DRUM&PERC./ PANEL Switches the displayed menu: PANEL parts or DRUM & PERCUSSION instruments. [1 ▲▼]– [3 ▲▼] PART (PANEL Page) Selects the desired part/drum instrument.
Internet Direct Connection – Connecting the Tyros3 Directly to the Internet – Contents Registering Bookmarks of Your Favorite Pages . . . . . . . . . . . 99 • Editing Bookmarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100 About the Internet Settings Display (BROWSER) . . . . . . . . . 101 You can “bookmark” the page you’re viewing, and set up a custom link so the page can be instantly called up in the future.
Editing Bookmarks Internet Direct Connection – Connecting the Tyros3 Directly to the Internet – From the Bookmark display, you can change the names and rearrange the order of your bookmarks, as well as delete unnecessary bookmarks from the list. [1 ▲▼] (UP/DOWN) Moves the selection position in the Bookmark list. [2 ▲▼] VIEW Opens the web page of the selected bookmark. [3 ▲▼] ADD Used when saving a bookmark (page 99). [4 ▲▼] MOVE Changes the order of the bookmarks.
About the Internet Settings Display (BROWSER) Selects the character code encoding for the browser. Home page Shows and allows editing the title of the web page registered as the Home page. Set current page as Home For details, refer to “Changing the Home Page” below. Restore default Home Restores the home page setting. Show images Image data and pictures in the web page are shown in the browser when this is set to on. Image data is not shown when this is set to off.
Connections – Using Tyros3 with Other Devices – Contents Microphone Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 • Microphone Overall Settings . . . . . . . . . . . . . . . . . . . . . . . . . . .102 • Talk Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .105 • Editing Vocal Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106 Footswitch/Foot Controller Settings . . . . . . . . . . . . . . . . . .
● 3BAND EQ (selected by [A] or [F] button) EQ (Equalizer) is a processor that divides the frequency spectrum into multiple bands which can be boosted or cut as required to tailor the overall frequency response. The Tyros3 features a high-grade three-band (LOW, MID and HIGH) digital equalizer function for the microphone sound. [1 ▲▼]/ [3 ▲▼]/ [5 ▲▼] Hz Adjusts the center frequency of the corresponding band. [2 ▲▼]/ [4 ▲▼]/ [6 ▲▼] dB Boosts or cuts the level of the corresponding band by up to 12 dB.
● VOCAL HARMONY CONTROL (selected by [E] or [J] button) The following parameters determine how the Vocal Harmony is controlled. Connections – Using Tyros3 with Other Devices – [1 ▲▼]– [3 ▲▼] 10 VOCODER CONTROL [1 ▲▼] MUTE/PLAY [2 ▲▼] OFF/1–16 [3 ▲▼] KBD (Keyboard) The Vocal Harmony effect in Vocoder mode (below) is controlled by note data—the notes you play on the keyboard and/or the notes of the song data. This parameter lets you determine which notes are used to control the harmony.
Talk Settings This function gives you special settings for making announcements between songs, separate from the settings for your singing performance. 1 Call up the operation display. [MIC SETTING] → TAB [Q][W] TALK SETTING 2 Use the [A]/[B] buttons to select the parameter to be adjusted, then set the value by using the [1 ▲▼]–[8 ▲▼] buttons or sliders. CAUTION Settings in the TALK SETTING Page are automatically saved to the instrument when you exit from the display.
Editing Vocal Harmony This section explains briefly how to create your own Vocal Harmony types, and lists the detailed parameters for editing. Up to ten Vocal Harmony types can be created and saved. 1 Press the [VH TYPE SELECT] button to call up the VOCAL HARMONY TYPE Selection display. 1 2 3 2 3 Press the [8 ▼] (EDIT) button to call up the VOCAL HARMONY EDIT display. Edit the Vocal Harmony.
● Vocal Harmony Edit parameters VOCODER TYPE Determines how the harmony notes are applied to the microphone sound when the Harmony mode (page 104) is set to “VOCODER.” CHORDAL TYPE Determines how the harmony notes are applied to the microphone sound when the Harmony mode (page 104) is set to “CHORDAL.” HARMONY GENDER TYPE Determines whether the gender of the harmony sound is changed or not. Off: The gender of the harmony sound is not changed.
HARMONY 1/2/3 VOLUME Sets the volume of the first (lowest), second, and third (highest) harmony note. HARMONY 1/2/3 PAN Specifies the stereo (pan) position of the first (lowest), second, and third (highest) harmony note. Random: The stereo position of the sound will change randomly whenever the keyboard is played. This is effective when the Harmony mode (page 104) is set to “VOCODER” or “CHODAL.” L63>R–C–LR pans the sound hard left, while C is at center, and L
Footswitch/Foot Controller Settings Assigning Specific Functions to Each Foot Pedal The functions assigned by default to the connected footswitch or foot controller can be changed—for example, letting you use the footswitch to start/stop Style playback, or use the foot controller to produce pitch bends. 1 Call up the operation display. [FUNCTION] → [D] CONTROLLER → TAB [Q][W] FOOT PEDAL 2 Use the [A]/[B] buttons to select one of three foot pedals to which the function is to be assigned.
● Assignable Pedal Functions For functions indicated with “*”, use only the foot controller; proper operation cannot be done with a footswitch. S. ARTICULATION 1/2 When you use a Super Articulation Voice that has an effect assigned to the pedal/footswitch, you can enable the effect by pressing the pedal/footswitch. You can turn this function on or off for each keyboard part on this display. VOLUME* Allows you to use a foot controller to control the volume.
Applies a vibrato effect to notes played on the keyboard. You can turn this pedal function on or off for each keyboard part on this display. DSP VARIATION Same as the [DSP VARIATION] button on the panel. HARMONY/ECHO Same as the [HARMONY/ECHO] button. VOCAL HARMONY Same as the [VOCAL HARMONY] button. TALK Same as the [TALK] button. SCORE PAGE +/- While the Song is stopped, you can turn to the next/previous score page (one page at a time).
MIDI Settings In this section, you can make MIDI-related settings for the Tyros3. The Tyros3 gives you a set of ten pre-programmed templates that let you instantly and easily reconfigure the instrument to match your particular MIDI application or external device. Also, you can edit the pre-programmed templates and save up to ten of your original templates to the USER display. 1 Call up the operation display.
● Pre-programmed MIDI Templates Transmits all parts including the keyboard parts (RIGHT 1, 2, 3, LEFT), with the exception of Song parts. KBD & STYLE Basically the same as “ALL PARTS” with the exception of how keyboard parts are managed. The right-hand parts are handled as a “UPPER” instead of RIGHT 1–3 and the left-hand part is handled as a “LOWER.
MIDI SYSTEM Settings The explanations here apply to the SYSTEM Page in step 4 on page 112. Use the [A]/[B] buttons to select the parameters (below), then set the ON/OFF status by using the [1 ▲▼]–[8 ▲▼] buttons. Connections – Using Tyros3 with Other Devices – ■ 1 Local Control 10 Turns the Local Control for each part on or off.
MIDI Transmit Settings The explanations here apply to the TRANSMIT Page in step 4 on page 112. This determines which parts will be sent as MIDI data and over which MIDI channel the data will be sent. 1 The dots corresponding to each channel (1–16) flash briefly whenever any data is transmitted on the channel(s). 1 1 2 3 Use the [A]/[B] buttons or [1 ▲▼]/[2 ▲▼] buttons to select the part for changing transmit settings.
MIDI Receive Settings The explanations here apply to the RECEIVE Page in step 4 on page 112. This determines which parts will receive MIDI data and over which MIDI channels the data will be received. 1 The dots corresponding to each channel (1–16) flash briefly whenever any data is received on the channel(s). 1 1 2 3 Use the [A]/[B] buttons or [1 ▲▼]/[2 ▲▼] buttons to select the channel to be received The Tyros3 can receive MIDI messages over 32 channels (16 channels x 2 ports).
Setting the Bass Note for Style Playback via MIDI Receive The explanations here apply to the BASS Page in step 4 on page 112. These settings let you determine the bass note for Style playback, based on the note messages received via MIDI. The note on/off messages received at the channel(s) set to “ON” are recognized as the bass note of the chord of Style playback. The bass note will be detected regardless of the [ACMP] or split point settings.
MFC10 Settings The explanations here apply to the MFC10 Page in step 4 on page 112. By connecting an optional MFC10 MIDI Foot Controller to the Tyros3, you can conveniently control a wide range of operations and functions by using your feet—perfect for changing settings and controlling the sound while you perform live. Different functions can be assigned to each of the footswitches and up to five foot controllers (optional) can be connected to the MFC10, for additional sound-shaping possibilities.
4-3 Use the [4 ▲▼]–[6 ▲▼] buttons to specify the function assigned to the footswitch (actually the note number), or the function assigned to the foot controller (actually the control change number). About the functions which can be assigned to the footswitch or foot controller, refer to page 110. 4-4 (Only for the FOOT CONTROLLER Setting) Determine the part to which the function assigned to the foot controller is applied by using the [7 ▲▼]/[8 ▲▼] buttons.
Utility – Making Global Settings – Contents CONFIG1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 CONFIG2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 MEDIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 OWNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 SYSTEM RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
● 3 Parameter Lock This function is used to “lock” specific parameters (effect, split point, etc.) to make them selectable only via the panel control—in other words, instead of being changed via Registration Memory, One Touch Setting, Music Finder, or Song and sequence data. Use the [1 ▲▼]–[7 ▲▼] buttons to select the desired parameter, then lock it with the [8 ▲] (MARK ON) button. ● 4 Tap This allows you to set the drum sound and the velocity which will sound when the Tap function is used.
CONFIG2 Select the desired parameter: 1 Speaker/AUX Out- Loop Send. 2 Voice Category Button Options/Display-related Settings ● 1 Speaker/AUX Out-Loop Send [3 ▲▼]/ [4 ▲▼] SPEAKER Determines whether or not the optionally installed speaker will sound. HEADPHONE SW: Speaker sounds normally, but is cut off when headphones are inserted to the PHONES jack. ON: Speaker sound is always on. OFF: Speaker sound is off.
MEDIA You can set or execute important media-related operations for the Tyros3. The word “media” refers to both the USB storage device and installed hard disk drive. NOTE The Tyros3 is capable of formatting an installed hard disk having a cluster size of less than 32 Kbyte, creating a single partition only; multiple partitions cannot be created.
OWNER Select the desired parameter: 1 Owner Name/Language/ Main Picture 2 License Key ● 1 Owner Name/Language/Main Picture [D] BACKUP Lets you backup all data on the instrument to a USB storage device. Refer to the Owner’s Manual. [E] RESTORE Loads the backup file from the USB storage device. [I] OWNER NAME Lets you enter your name as the owner. The Owner name is indicated on the opening display when you turn the power on. Refer to the Owner’s Manual.
SYSTEM RESET There are two reset methods in the SYSTEM RESET display: Factory Reset and Custom Reset. Custom Reset (see page 126) Factory Reset (see below) Factory Reset—Restoring the Factory Programmed Settings This function lets you restore the status of the Tyros3 to the original factory settings. 1 Select the desired item to be restored by using [1 ▲▼]–[3 ▲▼] buttons and add a checkmark to it by pressing the [4 ▲] (MARK ON) button. To remove the checkmark, press the [4 ▼] (MARK OFF) button.
Custom Reset—Saving and Recalling Your Original Settings as a Single File For the items below, you can save your Original Settings as a Single File for future recall. 1 Make all desired settings on the instrument. 2 Call up the operation display. [FUNCTION] → [I] UTILITY → TAB [Q][W] SYSTEM RESET 3 Press one of the [F]–[I] buttons to call up the relevant display for saving your data.
Index Numerics CHANNEL (Song Creator) .. 56, 63 E 1-16 ..........................................56 CHANNEL (Style Creator) ...................................36, 43–44 Echo Types ................................. 7 CHANNEL TRANSPOSE ............ 65 EFFECT ..................................... 93 A CHORD (Song Creator) ...... 56, 59 EFFECT/EQ ............................... 14 ACCENT TYPE ...........................43 CHORD (Style Creator) .......46–47 EG .......................................
H LOOP ....................................... 69 MUSIC FINDER + ...................... 76 Hard Disk Recorder ...................80 Loop End Marker ..................... 69 MUSIC FINDER FILES .............. 126 HARMONIC CONTENT .......13, 92 Loop Recording ........................ 37 Music Notation ........................ 49 HARMONIC MINOR ..................47 LYRICS ..................................... 56 HARMONIC MINOR 5th ...........47 Lyrics ........................................
PEDAL POLARITY .....................109 REMOVE EVENT ....................... 44 Start/End Point ......................... 86 PEDAL PUNCH IN/OUT .............62 REMOVE WAVE ........................ 23 START/STOP (MIDI) ................ 114 Performance Assistant ...............55 REPEAT FOLDER ....................... 52 STEP RECORD display ............... 56 PHRASE MARK REPEAT ..............52 REPEAT MODE ......................... 52 Step Recording (Multi Pad) ...... 71 PITCH BEND RANGE ..........
TRANSMIT CLOCK ..................114 WAVE VOLUME ........................ 19 TRANSPOSE ..............................92 WAVEFORM COUNT ................ 25 TRANSPOSE ASSIGN .................10 WERCKMEISTER ......................... 9 TUNE ........................................92 TUNING ...................................92 X Tuning ........................................9 XG ............................................. 5 U USER EFFECT FILES ..................126 Utility ........................
