Operation Manual

C
07
No.
C07(39)
Voice Name
SPad: Vpepad
EL1: DstModPad' EL2: ShrtDcBel2
EL3: - EL4: -
Comment
Pad with eight-note polyphony, strong modulation, and metallic attack
Notes
Scene (Foot) Initial Scene No. = 2 1 Maximum modulation 2 Normal 3 No modulation
Element1 Element2 Element3 Element4
Param1 (MW1) VibDepth VibDepth - - Vibrato depth
Param2 (MW2) Behavior HarmVol - - Use with FC1 to change attack harmonics
Param3 (FC1) Solidness HarmPosit - - Changes middle-range characteristics
Param4 (FC2) Resonance Stiffness - - Changes high overtones
Param5 (MBx) ----
Param6 (MBy) ----
Param7 (CS1) Emange1 Resonance - - Subtle sound change
Param8 (CS2) Emange2 Spectrum - - Use with FC2 for subtle sound change
Param9 (BC) ----
Param10(VEL) Stress Stress - - Stress
Param11(AT) ----
Param12(PB) ----
Param13(TEG) ----
Sustain Enable OFF OFF - -
Portamento OFF OFF - -
Max Notes 8 8 - -
Microtuning Equal_(off) Equal_(off) - -
Effect Type Reverb Hall
Layered sound comprised of the DstModPad and ShrtCdBel2 voices.
The key to good performance is to highlight the metallic attack (ShrtCdBel2 layer) while backgrounding it with the
complex modulations of DstModpad. But note that at low velocities the metallic attack essentially disappears,
so that the voice becomes virtually identical to DstModPad.
MW2 and FC2 are most effective for controlling the attack; try moving them continuously while playing arpeggios.
Performance
Lifting CS2 all the way up eliminates the DstModPad modulation components.
Hints