Operation Manual

No.

D11(59)

Voice Name

Perc: GlassWhine

EL1: WindGlass EL2: -

EL3: - EL4: -

Comment

Tapped wineglass effect

Notes

Scene (Foot) Initial Scene No. = 2 1 Rolling 2 Tapping 3 Rubbing

Element1 Element2 Element3 Element4

Param1 (MW1) S/H Tone - - - Modulation depth

Param2 (MW2) Nz1Vol - - - Attack-noise volume

Param3 (FC1) Nz1Tone - - - Depth

Param4 (FC2) AtkTone - - - Low cut

Param5 (MBx) ----

Param6 (MBy) ----

Param7 (CS1) RezTone - - - Rubbing glass with finger

Param8 (CS2) Nz2Vol - - - White-noise volume

Param9 (BC) ----

Param10(VEL) Stress - - - Attack change

Param11(AT) Nz2Tone - - - Noise modulation (In combination with CS2)

Param12(PB) ----

Param13(TEG) ----

Sustain Enable OFF - - -

Portamento OFF - - -

Max Notes 16 - - -

Microtuning Equal_(off) - - -

Effect Type Reverb Hall

Realistic sound of tapped wineglass. The voice is best for percussion, since the voice program does not attempt to

provide accurate pitch.

To get a chaotic sound, lift CS2 to add sustained noise, then manipulate MW1 and aftertouch to apply modulation.

Try sliding the Quick Edit EG RELSE knob all the way down to cut off the release, then looping through fast,

mechanical phrases to create an intricate sequence.

Performance

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