User Guide

No.

B02(18)

Voice Name

OEns: Jody

EL1: Jody EL2: -

EL3: - EL4: -

Comment

Dynamic mix of noise and strings

Notes

Scene (Foot) Initial Scene No. = 3 1 Noise 2 Chorus 3 Strings

Element1 Element2 Element3 Element4

Param1 (MW1) FluidVol - - - Volume of modulating sound; range and speed of modulation

Param2 (MW2) Stiffness - - - Chorus effect

Param3 (FC1) StrMute - - - Noise component (Overall brightness)

Param4 (FC2) Emerge - - - Resonance level

Param5 (MBx) ----

Param6 (MBy) ----

Param7 (CS1) HarmVol - - - Octave up (if CS2 is at MIN position)

Param8 (CS2) HarmPosit - - - Sliding CS2 while CS1 is "on" will produce an interesting effect

Param9 (BC) ----

Param10(VEL) Stress2 - - - Volume

Param11(AT) Stress1 - - - Volume

Param12(PB) ----

Param13(TEG) ----

Sustain Enable OFF - - -

Portamento OFF - - -

Max Notes 16 - - -

Microtuning Equal_(off) - - -

Effect Type Reverb Hall

At initial selection, this voice produces the sound of a string ensemble. But lifting MW2 changes the overall

harmonics completely, producing a square-wave timbre with a formant feel.

Depressing FC2 to full-down position removes all pitch quality, creating a white-noise effect.

Try bringing in the pitch gradually for an interesting lead-in highlighting the unusual capabilities of the VP1.

Note that once you depress FC1, bring it back up will close the low-pass filter, blocking out almost

Performance all sound.

Hints

Moving CS1 into full-up position renders MW2 completely ineffective while increasing the flanger effect of CS2.