User Manual
Table Of Contents
- Getting Started
- Main window
- Overview window
- Selected Channel window
- Library window
- Premium Rack Library window
- Patch Editor window
- Virtual Rack window
- Meter window
- Group/Link window
- Scene window
- Custom Fader Bank Setup window
- Custom Fader Bank window
- User Defined Keys Setup window
- User Defined Knobs Setup window
- Sends On Fader window
- Outport Setup window
- Keyboard Shortcuts
- Index
CL Editor Owner’s Manual
39
8 DECAY
Specifies the time over which the gate will close (or the time to return to normal signal gain of ducking) after the hold
time has elapsed.
9 ATTACK
Specifies the time from when the key-in signal exceeds the threshold level until the gate opens (or from when the duck-
ing has been triggered until the signal is ducked.)
0 HOLD
Specifies the time that the gate will remain open (or the ducking will remain activate) after the key-in signal falls below
the threshold.
A KEY IN SOURCE
Click this to select one of the following signals to use as the key-in source.
B CUE
This button cue-monitors the currently selected key-in signal. This is not shown in the Additional View.
In the ONLINE state, if MATRIX bus channels 7 and 8 can be used as a second cue, the indication is fixed at “CUE A.”
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the
[CUE] button will be hidden in the screen.
C KEY IN FILTER
Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF (low
pass filter.) The ON/OFF button switches the filter on/off.
If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use
the knob to adjust the cutoff frequency.
If COMPRESSOR/EXPANDER is selected
1 TYPE
Indicates the currently selected compressor or expander. You can click here to select the type.
2 LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window.
SELF PRE EQ The pre-EQ signal of the currently selected input channel
SELF POST EQ The post-EQ signal of the currently selected input channel
MIX OUT 21–24
The output signal of the corresponding MIX channel immediately before the output attenua-
tion
CH 1–72 POST EQ The post-EQ signal of the corresponding input channel (however, you can only choose chan-
nels belonging to the same group, within the eleven groups CH1–8, CH9–16, CH17–24,
CH25–32, CH33–40, CH41–48, CH49-56, CH57-64, CH65-72, STIN1L–STIN4R, and
STIN5L–STIN8R)
STIN1L–STIN8R POST EQ
NOTE
213
5
0
D
7
8
6
9
A
4
B
C