Setting Up Appendix Reference DIGITAL KEYBOARD Before using the instrument, be sure to read “PRECAUTIONS” on pages 5–7.
For this instrument SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind.
For AC adaptor and this instrument FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used.
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No. (bottom_en_01) For AC adaptor This device complies with Part 15 of the FCC Rules.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. For AC adaptor WARNING CAUTION • This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose. • Indoor use only. Do not use in any wet environments. • When setting up, make sure that the AC outlet is easily accessible.
- Do not attempt to recharge batteries that are not designed to be charged. - Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys. - Use the specified battery type (page 77) only. - Use new batteries, all of which are the same type, same model, and made by the same manufacturer. - Always make sure all batteries are inserted in conformity with the +/- polarity markings.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
About the Manuals In addition to this Owner’s Manual, the following Online materials (PDF files) are available. MIDI Reference Contains MIDI-related information, such as the MIDI Implementation Chart. MIDI Basics (only in English, French, German and Spanish) Contains basic explanations about what MIDI is and can do. Computer-related Operations Contains instructions about computer-related functions. iPhone/iPad Connection Manual Explains how to connect the instrument to smart devices, such iPhone, iPad, etc.
Setting Up Thank you for purchasing this Yamaha Digital Keyboard! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. Contents Panel Controls and Terminals 10 Setting Up 12 Power Requirements .......................................... 12 Turning the Power On.........................................
Setting Up Panel Controls and Terminals Front Panel NOTE Setting Up • The illustrations and displays as shown in this manual are based on the PSR-E363. • Please note that the PSR-EW300, PSR-E363 and YPT-360 have different numbers of keys: the PSR-EW300 has 76 keys, and the PSR-E363 and YPT-360 have 61 keys.
Panel Controls and Terminals [ ] (Standby/On) switch .................... page 13 [MASTER VOLUME] dial ...................... page 14 [DEMO] button ......................................page 28 [METRONOME] button ......................... page 16 [TEMPO/TAP] button ............................page 24 Rear Panel #0 #1 #2 Setting Up q w e r t #3 In the Lesson mode y PART [L] button ..............................................page 36 [R] button ..............................................
Setting Up Setting Up Power Requirements Using Batteries Although the instrument will run either from an AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. This instrument requires six “AA” size, Alkaline (LR6)/ Manganese (R6) batteries, or rechargeable nickelmetal hydride batteries (rechargeable Ni-MH batteries).
Setting Up • This instrument cannot charge the batteries. Use only the specified charger device when charging. • Power will be automatically drawn from the AC adaptor if an AC adaptor is connected while batteries are installed in the instrument. Setting the battery type Depending on the battery type to be used, you may need to change the battery type setting on this instrument. Alkaline (and manganese) batteries are chosen by default.
Setting Up Adjusting the Master Volume Using a Pedal (Sustain) Setting Up To adjust the volume of the entire keyboard sound, use the [MASTER VOLUME] dial while playing the keyboard. You can produce a natural sustain as you play by pressing a footswitch (FC5 or FC4A; sold separately) plugged into the [SUSTAIN] jack. CAUTION • Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.
Display Items and Basic Operations Display Items Lesson Indication On/Off status This area indicates the Lesson related status is on. Notation Each indication is shown when the corresponding function is turned on. Keys To Success (page 33) ... Auto Accompaniment (page 22) Phrase Repeat (page 35) Chord Progression (page 40) ... Touch Response (page 18) ... Arpeggio (page 19) ... Duo (page 21) Indicates the Passing Status (page 34) of the Keys To Success lesson.
Playing a Variety of Instrument Voices Reference In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds. Selecting a Main Voice 1 Press the [VOICE] button. The Voice number and name will be shown.
Playing a Variety of Instrument Voices In addition to the Main Voice, you can layer a different Voice over the entire keyboard as a “Dual Voice.” 1 Press the [DUAL] button to turn Dual on. 001 GrandPno Playing a Split Voice in the Left Hand area By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas. 1 Press the [SPLIT] button to turn on Split. The keyboard is divided into the Left hand and Right hand areas.
Playing a Variety of Instrument Voices Changing the Touch Response of the Keyboard The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength. 1 Press the [FUNCTION] button several times until “TouchRes” (Function 008) appears. Reference After a few seconds, the current Touch Response appears.
Playing a Variety of Instrument Voices You can add harmony or arpeggio notes to the Voice played on the keyboard. By specifying the Harmony Type, you can apply harmony parts, such as duet or trio, or add tremolo or echo effects to the played sound of the Main Voice. Also, when the Arpeggio Type is selected, arpeggios (broken chords) are automatically played back when you simply play the appropriate notes on the keyboard.
Playing a Variety of Instrument Voices To adjust the Harmony Volume: How to play the various Types The method of sounding the Harmony effect (01–26) differs depending on the selected type. For Types 01– 05, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to produce the Harmony effect. For Types 06–26, turning auto accompaniment on or off has no effect.
Playing the keyboard with two persons (Duo mode) When the Duo mode is activated on this instrument, two different players can play the instrument simultaneously, with the same sound, over the same octave range—one person on the left and the other on the right. This is useful for learning applications, in which one person (a teacher, for example) plays a model performance and the other person watches and practices while sitting at the first person’s side.
Playing Styles This instrument includes the Auto Accompaniment feature that plays appropriate “Styles” (rhythm + bass + chord accompaniment). You can select from a huge variety of Styles covering a wide range of musical genres. 1 Press the [STYLE] button, then use the number buttons [0]–[9], [+], [-] to select the desired Style. 020 16Beat The Style List is provided on the front panel, or in the Style List (page 71). Flashes when sync start is on.
Playing Styles If you have difficulty finding and selecting the desired Style and Voice, use this feature. From the Music Database, just selecting the favorite music genre calls up the ideal settings. 1 Press the [MUSIC DATABASE] button. Both the Auto Accompaniment and Synchro Start are automatically turned on. 001 Jude Hey 2 Use the number buttons [0]–[9], [+], [-] to select the desired Music Database.
Playing Styles Style Variations—Sections Each Style consists of “Sections” that allow you to vary the arrangement of the accompaniment to match the song you are playing. These instructions cover a typical example for using the Sections. 7 After the Intro finishes, play the key- board according to the progression of the Song you are playing. Play chords with your left hand while playing melodies with your right hand, and press the [MAIN/ AUTO FILL] button as necessary.
Playing Styles Chord Types for Style Playback For users who are new to chords, this chart conveniently shows how to play common chords in the Auto Accompaniment range of the keyboard. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details. indicates the root note.
Playing Styles Looking Up Chords Using the Chord Dictionary The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it. Dict. 001 2-2. 1 Press and hold the [1 LISTENING 2 TIMING 3 WAITING] button for longer than a second to call up “Dict.” “Dict.” will appear in the display. Press the key labeled “M7” in the section between “ ” and “ .
Playing Songs You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson. Song Category The Songs are organized by category as listed below. These demonstration songs showcase the various sounds of the instrument. Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version.
Playing Songs BGM Playback With the default setting, pressing the [DEMO] button will play back only three internal Demo Songs repeatedly. This setting can be changed so that, for example, all internal Songs automatically play back, letting you use the instrument as a background music source. Song Fast Forward, Fast Reverse, and Pause Like the transport controls on an audio player, this instrument lets you fast forward (FF), rewind (REW) and pause (PAUSE) playback of the Song.
Playing Songs A-B Repeat Turning Each Part On/Off You can play back only a specific section of a Song repeatedly by setting the A point (start point) and B point (end point) in one-measure increments. A B As indicated above the panel buttons (shown below), Songs other than Song numbers 125 to 154 consist of two Parts, which can be turned on or off individually by pressing the corresponding button, L or R.
Playing an External Audio Device with the Built-in Speakers CAUTION • Before connecting, turn off the power of both this instrument and the external audio device. Also, before turning the power on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the devices, electrical shock, or even permanent hearing loss may occur.
Playing an External Audio Device with the Built-in Speakers Lowering the volume of a melody part (Melody Suppressor function) When you output the audio sound of an external audio device or a computer connected to the [AUX IN] jack or the [USB TO HOST] terminal through this instrument, you can cancel or lower the volume of the melody part of audio playback. You can use the function to practice the melody part along with the audio playback.
Using the Song Lesson Feature Use these convenient features to practice the preset Songs and improve your playing skills. The lessons are arranged for optimum, enjoyable learning, so select the one suitable for you, and take your keyboard skills higher, step by step. You can refer to the music score in the Song Book (free downloadable scores). To obtain the Song Book, complete the user registration at the following website: https://member.yamaha.
Using the Song Lesson Feature In addition, various learning functions are provided for your enjoyable playing experience as follows: Touch Tutor (page 38) Lets you learn how hard or soft to play the keys for more expressive performances. Chord Study (page 39) Lets you hear and experience the sound of the chords to use styles efficiently. Chord Progressions (page 40) Lets you hear and experience standard chord progressions.
Using the Song Lesson Feature 6 Confirm the evaluation in the current Step. When the current Step reaches the end, your performance will be evaluated and your score (from 0–100) is shown in the display. 068 Confirming the Passing Status You can confirm the passing status of each Song simply by selecting a Song and each Step. When Step is selected Excellen Step01 001 Displayed when you’ve passed the Step.
Using the Song Lesson Feature Practicing two or more Phrases Phrase Repeat You can practice a difficult phrase repeatedly by selecting a specific number of the Phrase Marks preprogrammed in the Preset Songs (excepting the Song numbers 001–003, 103–154). You can confirm the Phrase Mark location in the Song Book (page 8). NOTE • Phrase Mark is a pre-programmed marker in certain Song data, which indicates a specific location in the Song.
Using the Song Lesson Feature Listening, Timing and Waiting Lesson 1—Listening In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well. Lesson 2—Timing In this Lesson, simply concentrate on playing the notes with the correct timing. Even if you play wrong notes, the correct notes shown in the display will sound. Reference Lesson 3—Waiting In this Lesson, try playing the correct notes shown on the display.
Using the Song Lesson Feature When the “Guide” function is on, you can hear the Guide note while you are practicing with Lesson 3 (Waiting), and this is ideal when you are not sure of which keys to play next. The Guide note will sound slightly behind the timing to indicate the correct note, when you fail to play the correct note with the correct timing. When you play the correct note with the correct timing, the Guide note will not sound and the playback continues.
Learning How to Use “Touch” Control (Touch Tutor) This learning feature lets you practice how hard or soft to play the keys for musical expression, referred to as “Touch” in this chapter, by playing back Song numbers 103 to 112 (in the “Touch Tutor” category). Playing back Songs from this category shows indications for the appropriate playing strength. Try playing according to the level displayed in the LCD as the Song progresses.
Hearing and Experiencing the Sound of the Chords (Chord Study) You can hear and experience the sound of the chords used in a typical performance by playing back Song numbers 113 to 124 (in the “Chord Study” category). Song numbers 113 to 119 are very simple songs consisting of a single chord (C, Dm, Em, F, G, Am, Bm; respectively) played in various positions, letting you listen to and master the chords one by one.
Playing Chords along with Chord Progressions of a Song Song numbers 125 to 154 in the “Chord Progression” category are constructed from typical chord progressions. You can listen to and get a feel for the chord progressions by playing back the Song and playing the keyboard while looking at the notes shown on the display.
Recording Your Performance You can record up to 5 of your performances as User Songs (User 1–5: Song numbers 155–159). The recorded User Songs can be played back on the instrument. The recorded User Song can be played back in the same way as the preset Songs. To exit from the Record mode, press the [REC] button again to stop flashing on the display. You can record your performance to the following two tracks of a User Song individually or simultaneously.
Recording Your Performance Recording to a Specified Track 1 Make the desired settings, such as those of Voice or Style. If you want to record the melody performance, turn ACMP off (page 22). If you want to record Style playback, turn ACMP on (page 22). 2 While holding down the [REC] button, press the desired Track button 1 or 2 to engage the Record mode. Reference If you want to record Style playback, make sure to select the Track 2.
Memorizing Your Favorite Panel Settings This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to nine complete setups can be memorized and assigned to each number button 1–9. Recalling Panel Settings from the Registration Memory 1 Make the desired settings such as those 1 Press the [REGIST MEMORY] button. 2 Press and hold down the [REGIST MEM- LoadNo.? for Voice and Style. “LoadNo.?” appears on the display.
Selecting an EQ Setting for the Best Sound Six different master equalizer (EQ) settings give you the best possible sound when listening through different reproduction systems—the instrument’s internal speakers, headphones, or an external speaker system. 1 Hold down the [REVERB] button for lon- ger than a second to call up “MasterEQ” (Function 025; page 46). “MasterEQ” is shown in the display for a few seconds, and the current Master EQ type appears. MasterEQ 025 Reference Hold for longer than a second.
The Functions The Functions settings provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects. 1 Press the [FUNCTION] button several 2 Set the value by using the number but- times until the desired item appears. tons [0]–[9], [+], [-]. Each time the [FUNCTION] button is pressed, the Function number increases one by one. To decrease the Function number by one, simultaneously hold down the [FUNCTION] button and press the [-] button briefly.
The Functions Function Number Function name Display Range/Settings Default Value Descriptions Style file 009 Style Register StyleReg 001–nnn – Select and register a Style file from flash files that are loaded from computer (page 23). * Adjusts the volume of keyboard performance when performing along with a Song or a Style. Main Voice (page 16) 010 Volume M.Volume 000–127 011 Octave M.Octave -2 – +2 * Determines the octave range for the Main Voice. 012 Chorus Depth M.
The Functions Function Number Function name Display Range/Settings Default Value Descriptions MIDI 032 Local Control Local ON/OFF ON Determines whether the instrument’s keyboard controls the internal tone generator (ON) or not (OFF). When you record your keyboard performance to the application software on the computer via MIDI, set this parameter to OFF.
Using with a Computer or iPhone/iPad Connecting to a computer Connecting the [USB TO HOST] terminal of this instrument and the computer via a USB cable allows you to transmit/receive MIDI and Audio data (USB Audio) to/from the computer. For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computer-related Operations.” The [MASTER VOLUME] dial setting on this instrument does not affect the signal output to USB Audio.
Backup and Initialization Backup Parameters The following Backup parameters will be maintained even if the power is turned off. Backup parameters other than “Passing Status of Keys to Success” can be transferred and saved to a computer as a single Backup file (with the extension: .BUP). This backup file can be loaded to the instrument for future. For details on using a computer with this instrument, refer to the online PDF manual (page 8) “Computerrelated Operations.
Troubleshooting Appendix Problem Possible Cause and Solution When the instrument is turned on or off, a popping sound is temporarily produced. This is normal and indicates that the instrument is receiving electrical power. When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument.
Appendix MEMO PSR-E363, PSR-EW300, YPT-360 Owner’s Manual 51
Song Book Sample This score is provided with the part of the song book (free downloadable scores). The song book contains not only the scores for all internal songs (excepting Songs 1–3) but also music terms and important points for your practice. To obtain the Song Book, complete the user registration at the following website. Yamaha Online Member https://member.yamaha.com/ * The Song book is provided in English, French, German and Spanish. This example introduces part of the English song book.
Song Book Sample Before Playing... Sit Correctly Finger Numbering 3 2 4 3 2 4 5 5 1 1 Left Right Sit near the middle of the keyboard.
Song Book Sample Song No.004 Song No.004 Basic Für Elise With Step Map Play with both hands as if gently telling a story. It might help to sing or hum the melody as you play. Similar melody lines and rhythms are repeated in this song, so there aren’t as many sections to practice as you might think. Enjoy learning each section as you build proficiency. Appendix From here...
Song Book Sample Song No.004 Song No.004 Für Elise Basic From here... Appendix ...to here Für Elise Basic ...
Song Book Sample Für Elise Basic Song No.004 Für Elise Basic Let’s start with a warm-up exercise using three fingers of the right hand. ise Warm-up Exercise - “The Semitone Mystery” ed for this us erc ex Finge rs Song No.004 Right We’ll start by ascending and descending the white and black keys. Check out the illustrations until you understand how the fingers are supposed to move, then get started! You’ll find it easier to play if you bend your fingers slightly.
Song Book Sample Song No.004 Song No.004 Für Elise Basic Für Elise Basic Diligent Practice Time Right! Now that we’re warmed up let’s try playing along with the orchestra in 3/4 time. The melody will be built up little by little. Appendix Compare each line... notice that many of the shapes formed by the notes are very similar.
Song Book Sample Song No.004 Für Elise Basic Song No.004 Für Elise Basic M i d d l e Left hand Warm-up Exercise - “Basic Accompaniment” E A E A And now a warm-up exercise for the left hand. It’s important to spread your fingers widely from the start. Don’t play the black keys too strongly. Appendix Diligent Practice Time Connect the notes smoothly, as if the left hand were passing them to the right hand.
Song Book Sample Song No.004 Song No.004 Für Elise Basic Für Elise Basic First Half Review You’ve reached the halfway step! Have you learned all the material provided in the preceding steps? Now let’s go back and play through all the first-half exercises. If you find that you’re having trouble Appendix playing any of the material, go back and review the steps using the Step Map as a guide.
Song Book Sample Song No.004 Für Elise Basic Song No.004 Für Elise Basic Left hand Jump to the next E! And again! Warm-up Exercise - “The Jump Competition” The first note has a staccato dot. Spread your fingers wide and jump quickly to the next note! M i d d l e E ngers! se fi You can play t with only the his Appendix “EEEEE!” The only note in this step is E! Make the connection between the left and right hands as smooth as possible.
Song Book Sample Song No.004 Song No.004 Für Elise Basic Für Elise Basic “Left! Right! Left! Right!” Play “D E” repeatedly, alternating the left and right hands. Have the next hand ready in position to play D so you won’t have to rush. Right Appendix Left Second Half Review Try playing all the way through the second half. As we did after the first half, if there are places you can’t play with confidence go back and review the steps.
Voice List Maximum Polyphony The instrument has 48-note maximum polyphony. This means that it can play a maximum of up to 48 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions.
Voice List 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 Bank Select MIDI Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 0 112 73 Piccolo 0 112 76 Pan Flute 0 112 75 Recorder 0 112 80 Ocarina SYNTH 0 112 81 Square Lead 0 112 82 Sawtooth Lead 0 108 82 RS Tech Saw 0 112 88 Under H
Voice List Voice No. 232 233 234 235 Bank Select MIDI Program MSB LSB Change# (0–127) (0–127) (1–128) – – – – – – – – – – – – Voice Name Salsa Piano Left Piano Arpeggio Left Guitar Arpeggio Left Strum Left * When you select a Voice of the DUAL category, two voices sound at the same time. ** Selecting a Voice number between 216 and 235 will turn on Arpeggio. XGlite Voice List Voice No.
Voice List 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 Bank Select MIDI Program Voice Name MSB LSB Change# (0–127) (0–127) (1–128) 0 18 40 Click Synth Bass 0 19 40 Synth Bass 2 Dark 0 40 40 Modular Synth Bass 0 41 40 DX Bass XG STRINGS 0 0 41 Violin 0 8 41 Slow Violin 0 0 42 Viola 0 0
Voice List Voice No.
Drum Kit List •“ ” indicates that the drum sound is the same as “Standard Kit 1.” • Each percussion voice uses one-note polyphony. • The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in “Standard Kit 1,” the “Seq Click H” (Note #36/Note C1) corresponds to MIDI (Note #24/Note C0).
Drum Kit List C1 C#1 D1 E1 F1 D#1 F#1 G1 G#1 A1 B1 C2 A#1 C#2 D2 E2 Appendix F2 D#2 F#2 G2 G#2 A2 B2 C3 A#2 C#3 D3 E3 F3 D#3 F#3 G3 G#3 A3 B3 C4 A#3 C#4 D4 E4 F4 D#4 F#4 G4 G#4 A4 B4 C5 A#4 C#5 D5 E5 F5 D#5 F#5 G5 G#5 A5 B5 C6 68 A#5 Voice No.
Drum Kit List * Actual keyboard notes of the SFX Kit 1 and 2 are one octave lower than the ones described in the list.
Song List Song No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 Appendix 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 70 Song Name Top Picks Demo 1 (Yamaha Original) Demo 2 (Yamaha Original) Demo 3 (Yamaha Original) Learn to Play Für Elise (Basic) (L. v. Beethoven) Für Elise (Advanced) (L. v.
Style List 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 Style Name 8BEAT BritPopRock 8BeatModern Cool8Beat Happy8Beat Shake8Beat ContemporaryRock StadiumRock 70sRock HardRock 1 60sGuitarPop 8BeatAdria 60s8Beat 8Beat OffBeat Folkrock 60sRock HardRock 2 RockShuffle 8BeatRock 16BEAT 16Beat PopShuffle GuitarPop 16BeatUptempo KoolShuffle HipHopLight BALLAD 70sGlamPiano PianoBallad LoveSong 6/8ModernEP
Music Database List MDB No.
Effect Type List Harmony Types No. Harmony Type 001 Duet 002 Trio 003 Block 004 Country 005 Octave 006 Trill 1/4 note 007 Trill 1/6 note Description If you want to sound one of the harmony types 01–05, play keys to the right side of the Split Point while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two or three notes of harmony are automatically added to the note you play.
Effect Type List Arpeggio Type List Appendix Arpeggio No.
Effect Type List Reverb Types No. 01–04 Reverb Type Hall 1–4 Description Concert hall reverb. 05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds. 06–08 Room 1–3 Small room reverb. 09–10 Stage 1–2 Reverb for solo instruments. 11–12 Plate 1–2 Simulated steel plate reverb. Off No effect. 13 Chorus Types No. Chorus Type Description Chorus 1–3 4–5 Flanger 1–2 This produces a rich, animated wavering effect in the sound. Off No effect.
Specifications Product Name Dimensions (W x D x H) Size/Weight Weight Keyboard Control Interface Display Panel Tone Generation Number of Keys Touch Response Type Backlight Language Language Tone Generation Technology Polyphony (max.
Specifications AC Adaptor Power Supply Power Supply Batteries Power Consumption Auto Power Off Included Accessories Users within U.S or Europe: PA-130 or an equivalent recommended by Yamaha Others: PA-3C,PA-130 or an equivalent recommended by Yamaha Six 1.5V “AA” size alkaline (LR6), manganese (R6) or six 1.
Index A H A-B Repeat .............................29 AC Adaptor ............................. 12 Accessories ............................77 ACMP .....................................22 Arpeggio ................................. 19 Arpeggio Type ........................ 74 Arpeggio Velocity ....................46 audio .......................................30 Audio Device ..........................30 Auto Accompaniment ..............22 Auto Accompaniment range ...22 AUTO FILL .............................
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MEMO
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