User Manual

DAN MOORE 3
Yamaha Corporation of America • Band & Orchestral Division
3445 East Paris Ave., SE • P.O. Box 899 • Grand Rapids, MI 49518-0899
www.yamahapercussion.com
Example 2 shows a bass line with a chordal accompaniment.
Note that all of the chord tones indicated by the changes are
heard at some point during the two-beat duration of each chord.
Dan Moore
&
&
?
b
b
b
b
b
b
b
b
b
c
c
c
œ œ œ œ
œ
œ
œ
œn
œ œ
Dm7(
b
5)
œ
œ
œ
œ
œ
œ
œ
œ
G7
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œn
œ
œ œ œ
œ
œ
œ
œ
œ œ
œn
œ
Dm7(
b
5)
œ
œ
œ
œ
œ
œ
œ
œ
G7
œ
œ
œ œ
œn
œ
œ
œ
œ
Example 3
Example 3 shows the full effect with a bass line, chordal
accompaniment, and bits of the melody (the melody is
shown on the top line):
(Examples are excerpts from Danger Alley, a marimba/steel
pan duet published by Cricket City Music, which can be
heard on the Britain/Moore Duo CD Little World of Rhythm.
Used by permission.)
You can also go through the exercises with your duo
partner to develop duo playing skills. While one player
lays down the groove, the other player can practice
soloing. Vary the exercises by moving around the circle
of fourths, moving by thirds, or by using any number of
standard chord changes. You can also use major chords
or add more extensions to make your harmonies thicker.
Be creative, and have fun building grooves that lock in
and propel themselves along.
&
?
b
b
b
b
b
b
c
c
Dm7(
b
5)
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
G7
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œn
Dm7(
b
5)
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
G7
œ
œ
œ
œ
œ
Example 2