venova_started_en_toc.fm Page 12 Monday, May 7, 2018 10:11 AM Let’s play Venova™ ! This guidebook provides important tips on how to hold and play Yamaha Venova™, as well as details on controlling the pitch and timbre. Master the basics and enjoy playing! * Refer to the “Owner’s Manual” (separate booklet) for information regarding the care and handling of the instrument. Contents Before You Play ............................................................13 Setting the Reed and Ligature ................
venova_started_en_01.fm Page 13 Monday, May 7, 2018 10:11 AM Before You Play Setting the Reed and Ligature Slide the mouthpiece onto the body’s neck, turning from side to side. After attaching the mouthpiece, set the reed and ligature onto the mouthpiece. * The reed tip is delicate so please take care not to damage it with the ligature, etc.
venova_started_en_01.fm Page 14 Monday, May 7, 2018 10:11 AM Let’s Try Playing 1 Hold the instrument as shown in the illustration below, keeping your back straight, shoulders loose, and chin pulled in. First, hold the instrument without covering any of the holes. 2 Position the mouthpiece in your mouth with your upper front teeth resting about 1cm from the tip of the mouthpiece. Cover your lower teeth with your lower lip to keep your teeth from coming into direct contact with the reed.
venova_started_en_01.fm Page 15 Monday, May 7, 2018 10:11 AM Let’s Try Playing Tips on Making Sound 1 Holding the Instrument Holding the instrument the wrong way (wrong angle or poor posture) can result in poor tone or difficult fingering. Always be aware of proper playing form when playing the instrument. * Refer to the illustration on page 14 1 for proper instrument angle when holding.
venova_started_en_01.fm Page 16 Monday, May 7, 2018 10:11 AM Let’s Try Playing Close the Tone Holes and Play Some Notes • Use the ball of your finger (not the tip) to cover the hole. • Use your fingers in a relaxed, stress-free form. Finger Position * The illustration below shows all tone holes being covered. Octave Key The octave key is used for playing notes above a high “D”. It is not used for playing any other notes so take care not to press the octave key by mistake.
venova_started_en_01.fm Page 17 Monday, May 7, 2018 10:11 AM Let’s Try Playing Getting a Balanced Sound If you are experiencing difficulty getting sound from your instrument, it might be a good time to review your embouchure. Mouth shape and teeth alignment vary widely among individuals so take time finding an embouchure that works best for you. Refer to the chart below and try varying the position of your teeth, the angle that you hold the instrument, etc., to find a well-balanced tone.
venova_started_en_01.fm Page 18 Monday, May 7, 2018 10:11 AM Controlling Tone Inside of Your Mouth When blowing into the instrument, the inside of your mouth should be shaped as if you were pronouncing “OH.” Tonguing Tonguing is a technique for dividing a tone by interrupting the air flow with your tongue. It is done by touching the end of the reed with the end of your tongue and releasing.
venova_started_en_01.fm Page 19 Monday, May 7, 2018 10:11 AM Troubleshooting Condition Cause Solution No sound. The reed is not properly positioned on the mouthpiece. Refer to page 13 2 and properly position the reed. Not enough air to make the reed vibrate. Increase the amount of air you blow into the instrument. Biting too hard on the Reduce the amount of pressure mouthpiece (too much lower your lower lip is applying to the lip pressure on the reed). reed.
venova_started_en_01.fm Page 20 Monday, May 7, 2018 10:11 AM Troubleshooting Condition Cause Solution Water noise can Moisture has accumulated in Remove moisture from inside be heard while the body, mouthpiece, or of the body with the supplied playing. reed. cleaning swab and also remove moisture from inside of mouthpiece and reed with a soft cloth. Overall pitch is high.* Biting too hard on the mouthpiece. Don’t bite too hard on the mouthpiece.
venova_started_en_01.fm Page 21 Monday, May 7, 2018 10:11 AM Troubleshooting The end section of this guide provides fingering charts (from page 92) and some sample songs (from page 96). You can find more information for the Venova, such as playing tips and performance videos, on the web site listed below. Yamaha’s special Venova Site: https://www.yamaha.
venova_started_02.fm Page 92 Monday, May 7, 2018 10:11 AM 運指表 Fingering Chart Grifftabelle Tableau des doigtés Gráfico de digitado 運指表 / Fingering Chart / Grifftabelle / Tableau des doigtés / Gráfico de ■ ジャーマン式運指 トーンホールアダプター Aを装着(工場出荷時)す るとジャーマン式運指となります。 * F#、G#、Bbなどの半音は音程が高く出やすく、音 色も響きにくくなります。替え指や息の量、アン ブシュアをコントロールして、より良い音程で演 奏しましょう。 German System Place the tone hole adaptor A (installed at the factory) to set to German System fingering.
venova_started_02.fm Page 93 Monday, May 7, 2018 10:11 AM Tabela de digitação Таблица аппликатуры 指法? ??? Tabela de digitação Таблица аппликатуры ??? ??? digitado / Tabela de digitação / Таблица аппликатуры / 指法图 / 운지법 * Los semitonos como F#, G# y Bb suelen tocarse sostenidos y difícilmente tienen resonancia. Ponga los dedos en su posición, sople aire y utilice el control de la embocadura para ajustar la entonación.
venova_started_02.fm Page 94 Monday, May 7, 2018 10:11 AM 運指表 / Fingering Chart / Grifftabelle / Tableau des doigtés / Gráfico de digitado / ■ バロック式運指 トーンホールアダプター A を外すとバロック式 運指となります。 * F#、G#、Bbなどの半音は音程が高く出やすく、 音色も響きにくくなります。替え指や息の量、 アンブシュアをコントロールして、より良い音 程で演奏しましょう。 Baroque System Remove the tone hole adaptor A to change to Baroque System fingering. * Semitones such as F#, G#, Bb tend to easily play sharp, and are hard to resonate. Use fingering, airflow, and embouchure control to adjust intonation.
venova_started_02.fm Page 95 Monday, May 7, 2018 10:11 AM Tabela de digitação / Таблица аппликатуры / 指法图 / 운지법 * Los semitonos como F#, G# y Bb suelen tocarse sostenidos y difícilmente tienen resonancia. Ponga los dedos en su posición, sople aire y utilice el control de la embocadura para ajustar la entonación. 巴洛克指法 Sistema barroco * F#、 G#、 Bb等半音很容易演奏得更为尖 锐,且不易形成共鸣。 * 请利用指法、气流和口型进行控制来调整 声调。 Remova o adaptador do orifício de tom A para mudar para o dedilhado do sistema barroco.
venova_started_02.fm Page 96 Monday, May 7, 2018 10:11 AM サンプル曲集 Sample Songs Beispiel-Songs Morceaux échantillons Canciones de ejemplo Músicas de amostra Образцы композиций 示例曲目 ?? ? サンプル曲集 / Sample Songs / Beispiel-Songs / Morceaux échantillons / Canciones Venova はソプラノリコーダーやフルート など C 調の楽器用の楽譜をそのまま演奏 することができます。 お気に入りの曲の楽譜を探して Venova で 吹いてみましょう。 * 音域によって演奏できない場合もありま すのでご注意ください。 Grâce au Venova, vous pouvez utiliser des partitions en do majeur pour flûte soprano, flûte, etc.
venova_started_02.fm Page 97 Monday, May 7, 2018 10:11 AM サンプル曲集 Músicas de amostra Образцы композиций ???? ?? ? de ejemplo / Músicas de amostra / Образцы композиций / 示例曲目 / 샘플 곡 С помощью инструмента Venova можно исполнять музыку для инструментов в тональности до мажор, включая флейты, блокфлейты сопрано и т. д. Найдите любимые композиции и сыграйте их на Venova. * Обратите внимание: композиция может не соответствовать диапазону инструмента.
venova_started_02.fm Page 98 Monday, May 7, 2018 10:11 AM サンプル曲集 / Sample Songs / Beispiel-Songs / Morceaux échantillons / Canciones ■ 聖者の行進 When The Saints Go Marching In 難易度:低 左手だけの運指で演奏できますが右手の 親指もしっかり支えて楽器がぐらぐらし ないように気をつけましょう。 Dificuldade: Baixa Esta canção exige dedilhado apenas com a mão esquerda, portanto, dê uma sustentação firme com o polegar direito para impedir que o instrumento se mova.
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venova_started_02.fm Page 100 Monday, May 7, 2018 10:11 AM サンプル曲集 / Sample Songs / Beispiel-Songs / Morceaux échantillons / Canciones ■ 聖者の行進 When The Saints Go Marching In 難易度:高 低いドは難易度の高い音ですが「指の フォーム」「アンブシュア」「息の入れ方」 のバランスを整えしっかりと鳴らしま しょう。 Dificuldade: Alta O “C” (dó) grave é difícil de produzir. Equilibre bem o dedilhado, a embocadura e o fluxo de ar. When The Saints Go Marching In Difficulty: High The low “C” is difficult to sound.
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venova_started_02.fm Page 102 Monday, May 7, 2018 10:11 AM サンプル曲集 / Sample Songs / Beispiel-Songs / Morceaux échantillons / Canciones ■ アメージング・グレース Amazing Grace 難易度:低 オクターブキー (またはサミング)を使っ た「ミ」がしっかり鳴るように運指を気 をつけましょう。 Dificuldade: Baixa O “E” (mi) requer o uso da chave de oitava (“thumbing”), então preste atenção ao seu dedilhado para obter um tom sólido.
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venova_started_02.fm Page 104 Monday, May 7, 2018 10:11 AM サンプル曲集 / Sample Songs / Beispiel-Songs / Morceaux échantillons / Canciones ■ アメージング・グレース Amazing Grace 難易度:高 低い音をしっかりと鳴らすにはすべての 音孔がきちんと塞がれている事が重要で す。指の腹の部分で確実に音孔をふさぎ ましょう。 Dificuldade: Alta É importante que todos os orifícios de tom sejam tapados adequadamente a fim de obter um tom ressonante nas notas graves. Certifique-se de que os orifícios de tom estejam completamente tapados com a polpa do seu dedo (não a ponta).
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Manual Development Group © 2017 Yamaha Corporation Published 10/2018 POZC-D0 Printed in Indonesia ZX60170