Specifications
NOMAD LAYOUT Front Panel
6
9. SETUP / TONE / 6 / F – multi-function key
• In Stop mode, pressing it opens the Analog Input Setup page.
• Pressed alone & hold for one second, toggles tone generation on/off.
• When a number is needed in a data entry field, press it for the number/channel 6.
• When an “F” for user-bits is required, double click it.
10. COM / 7 / 9 – multi-function key
• Press and hold to activate the Com mic.
• When a number is needed in a data entry field or need to select a channel #:
• press it for the number/channel 7
• double click it for the number/channel 9
11. Color LCD Screen
Daylight-readable color LCD screen,
12. HEADPHONE knob / BACK knob
• Press it to back out of a page to the previous page.
• Turn it to adjust headphone #1 volume.
• Press and hold will enter user inputted data
13. Star key
• From the any Home page, it advances to the next Home page.
• In the Bus Routing matrix, Head Phone setup matrix, and Card Mix matrix pressing it you will add phase
reverse to your cross point options
• In the Fader Assign matrix pressing it will add Trim and ZaxNet to your cross point options.
• If pressed while powering-up, starts the software update process.
14. Fader 1 (of 6 total)
Each of six faders can be assigned to any channel or combination of channels, or act as a hardware trim knob.
15. Auto-Trim
TM
LED (of 6 total)
Indicates which fader is active for AutoTrim
TM
.
16. SLT / 8 / 0 key
• Press and hold it to activate the Slate mic.
• When a number is needed in a data entry field or need to select a channel #:
• Press it for the number/channel 8
• Double click it for the number/channel 0
17. MENU knob / SHIFT key
• From the Home page press it to access the Main Menu.
If you have virtual fader engaged you have to push and hold to access the Main Menu.
• Turn it to scroll through the items on a page.
• Press to select a page item.
SHORTCUT: While scrolling through a parameter with a long list, pressing the MENU knob while turning it will of
speed up the scroll speed by 10 times.










