Operation Manual
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Gate
Gate
Gate
Gate
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Gate
Gate
Template
Tem pla te
Template
Template
Template
Template
Template
Template
t-
Name
Effects
Comments
Reverb into phascr creates this spacy effect.
Try
using on bass
patches. Basic revert, time is 4.5s, w/40ms, of predelay.
[l]
B
Phase
[2]
B
Revl
Serial
Space Phase
Undulator
This program sends the echo signal into the phaser. Try with elec-
tric guitar. Digital delay time is 250111s. with
50%
Xfeedback. Use
in
mono mode for panning.
Two phascrs are patched in series with different modulation speeds
and inverted phase creak an interesting effect for synth sounds.
[l]
B
Phase
[2]
B
Phase
[l]
B
Phase
[2]
B
Echo1
Phase
by
Phase
Serial
Hcrc one pitch shifter tunes the signal up
8
cents, and the other
down
8
cents patching scrially into the verb. For vocals. Reverb
timc is 0.8~~ wJ25ms. of prcdclay.
First, the pitch shiftcrs creates a detuned oclave below signal. This
is sent into the reverb
for
an
interesting vocal effect. Basic reverb
he is 3.
l
S, wll8ms. of predelay.
Double Shift
Octaves Vox
[l]
B
Rev2
[3]
APitch
[2]
A
Pitch
Serial
The pitch shiftcrs crcate a dcluned ocbve below the signal, which is
thcn scnt to thc ccho in series. Delay time is 250ms, ~150%
Xfccdback.
For singers who may sing flat, this pitch shifter raises pitch
8
cents,
and then goes on to the rcvcrb. Basic reverb time is 3.1s, wlW6ms.
of predelay.
[l]
18
F~hol [3]A Pitch
[21
A
Pitch
Delay Shift Rev
Serial
[l]
B
Revl
[2]
R
Pitch
Serial
Idol Plate
[l]
I)
E/K1
[2]
B
Pitch
The ever-popular, ultra-dctuned sound of the 'honky tonk' piano cre-
ated with this program with pitch shifting and early reflection algo-
rithms.
Honky Room
Two pitch shiftcrs create a harmony around the source signal
(-3/+4 semitones) which is delayed by a 220ms. echo.
[l]
11
Revl [3]
A
Pitch
[2]
A
Pitch
Harmonize Echo
Serial
First the rcverb fattens the signal with
100%
attack emphasis, and
then it goes to a 60ms gate. Snare heaven. Basic reverb time is 2.
2s. w/0. lms. of predelay.
This program begins with a delayed reverb patched serially into a
30rns. noisc gate, making a slow slapback effect. Basic reverb time
is 2.0s, wI125ms. of predelay.
[l]
B
Rev2 [3]
A
Pitch
[2]
A
Pitch
Power Gate
Serial
Knock Gate Rev
Rever b-Gate
[l]
B
Gate
[21
n
R~VI
This program gcncratcs a 160rns. gated rush of pink noise by send-
ing a bright, equalbxd rcvcrb into a noise gate. Basic reverb time is
2.3s. wI0. lms. of prcdclay.
Serial
I
l]
B
Gate
[2]
B
Revl
Serial
[l]
It
Gate
121
B
EIK2
Serial
This bright rcvcrsc ga~cd rcvcrb is created with an early reflection
algorithm using
a
ncgiitivc
tap
angle into
a
340 ms. noise gate. Use
the reverb
EQ
to changc tone.
Reverse Gate
Hcrc, a rcverb
is
gatcd with a hold time of 100ms. To make the gate
steeper, turn thc relcasc down. To alter the tone, change the Hi Cut
and Damping of the rcverb.
This is a gated revcrb with 70ms. hold and ample release time. Play
with
thc gatc Xover parameter to get different tonal shapes in the
decay.
[l]
15
Gate
[2]
B
Kevl
Serial
Smooth Gate
Slow Gate Reverb
1
Hi-Pass Gate
[I]
U
Gate
[2]
B
Rev4
Serial
This unique sound is created with the Xover
in
the noise gate, set at
25kHz. Lowering this to OIIz yields a frec reverb, raising to 8kHz
leaves only very high frequencies.
[l]
B
Gate
[2]
I3
Revl
Serial
This tremolo
cffect is created using the trigger mask parameter of
the noise gatc
-
to change tcmpo of thc tremolo, change this parame-
tcr in both modules 2
&
3.
This is a ternplatc setup for using the
36
voice chorus effect.
[l]
B
Rev2 [3]
A
Gate
[2]
A
Gatc
Gatemolo Reverb
Serial
36th Chorus
*
[l]
C
Chors
This lcmplatc has
a
default 250ms. delay set up for each module.
Usc mono input modc to get four discrete echo paths, or stereo for
bi-controllable
pairs.
This is a tcmplatc for using 2 stereo EQs. Although the same dual
3-band
EQs can bc constructed with program
95,
the
B
EQs change
both sides simultancousl y.
This is a tcmpla~e for using
4
EQs simultaneously. They can
be
used to process 4 discrete signals, or as dual stereo EQs
(see
next),
or as a serial-linked stcrco 6-band EQ.
This is a template for using 2 stereo gates. Although the same dual
gates can be constructed with program
94,
the B Noise Gates
change
both
sides simultaneously.
This is tcmplatc for using
4
gatcs simultaneously. They can
be
used
as noisc gatcs for 4 discrete signals or as hked tremolo modules.
[l]
B
EQ
[2]
U
EQ
[l]
A
Echo [3]
A
Echo
[2]
A
Echo [4]
A
Echo
Twin EQ
O1,T
Quad EQ
[l]
B
Gate
[2]
B
Gate
Twin Gate
Quad Gate
Tri
Reverb
Quad Reverb
This is an excellent choice for mixing down multitracks: use the
sterco rcvcrb in module 1 for most of the mix, and reserve modules
3 and
4
for snare or solo tracks.
IV
III
TV
[l]
A
Gate
[3]
A
Gate
[2]
A
Gate [4]
A
Gate
Om
This template has for independent reverb lines.Use mono input
mode to get four discrete echo paths, or stereo for bi-controllable
pairs.
[l]
B
Rev2 [3] A Rev
[2]
A
Rev
OFF
[l]
A
Revl [3]
A
Rev2
[2]
A
Revl [4]
A
Rev2
OFF