User Manual

147
Reference / H4n Pro patch list
H4n Pro patch list
The patches in this list can be used in MTR mode and when the H4n Pro is functioning as an audio interface (at 44.1kHz sampling rate).
Category No. Patch name Description
PREAMP
module
EFX
module
Guitar 00 Tweed Clean This FD TWEED clean sound goes great with Stratocasters. FD TWEED SPRING
01 Liverpool A 60s revival sound is created by gently driving a Class A British combo amp. UK 30A AIR
02 Clean Chorus This clean sound is good for muted rhythmic and arpeggio playing. FD TWNR CHORUS
03 Clean Delay Using a long delay, this clean sound is good for sustained chords and arpeggios. FD TWNR ECHO
04 Clean Trem This clean sound varies the volume and can be said to be the original eect. HW 100 TREMOLO
05 Aco.Simulate
This acoustic guitar simulation is ideal for stroking. Aco Sim AIR
06 Spy's Shadow
Wrapped in spring reverb, this twangy guitar sound is perfect for electric instruments. FD TWNR M SPRING
07 Wah Cutting This funky rhythmic tone uses FD TWNR and AUTO WAH. FD TWNR AUTO WAH
08 Glossy Blues
This bewitching Fender '59 BASSMAN crunch sound follows the dynamics of the player. FD TWEED ROOM
09 UK Crunch A sense of AIR is added to the natural crunch of a Class A British combo amp. UK 30A AIR
10 Box Of Edge U2's The Edge popularized this distinctive dotted-eighth-note delay eect (at 130 BPM). UK 30A ECHO
11 HW Crunch Crunch sound of a HIWATT CUSTOM 100. HW 100 ROOM
12 Melody Analog delay adds a natural sense of space to TS+FDcmb for a sound that suits simple melodies. TS+FDcmb ANALOG
13 ZEP Drive A classic Marshall crunch re-creates the sound of Led Zeppelin. MScrunch RackComp
14 Mellow Vibe MScrunch and Vibe combine to create a laid-back sound. MScrunch VIBE
15 70's Drive The sound of 70s rock. MS DRIVE ECHO
16 Boogie Drive The Mesa Boogie Mark III sound creates a mid-range thickness in this drive that is good for soloing. BGcrunch ROOM
17 MS Drive For the early sound of Van Halen, the Marshall is turned all the way up. GD+MSstk ARENA
18 XTASYRi SD+XTASY makes this great for metal ris. SD+XTASY OFF
19 Jet MS Drive Heavy Marshall distortion is combined with a anger for this epic sound. GD+MSstk FLANGER
20 Talking Guy This talking sound follows the guitar pickup position and picking dynamics. GD+MSstk CRY
21 Oct Lead Octave doubling below the original pitch creates a heavy impactful drive sound. GD+MSstk PITCH
22 Dirty Drive Fuzz gives this classic 70s progressive rock sound its powerful sustain. FZ+MSstk ANALOG
23 Fuzz Lead
Vintage Marshall and fuzz eects combine to re-create the sweet and beautiful fuzz tone used by
Eric Johnson.
FZ+MSstk ARENA
24 XTASY Lead This metal lead sound uses XTASY BL and ECHO eects. XTASY BL ECHO