Specifications

CATEGORY No. NAME MODEL KEY EFFECT COMMENT
MODEL
A0
D-28
MARTIN D-28 MARTIN D-28
The sound of a Martin D-28, the "gold standard" of acoustic guitars. Dynamic and gorgeous.
A1
J-200
GIBSON J-200 GIBSON J-200
Simulation of a Gibson J-200 with its large, impressive body and sound to match.
A2
TRIPLE 0
MARTIN OOO-18 MARTIN OOO-18
Simulation of the increasingly popular Martin 000-18 with its compact, handy body and finely
nuanced sound.
A3
J-45
GIBSON J-45 GIBSON J-45
The Gibson J-45 is characterized by its warm and rich tone. A true "workhorse" beloved by many
guitarists.
A4
ADAMAS
OVATION OVATION
The tone of the Ovation Adamas which has a body made from a special material called Lyrachord and
rounded shape to focus the sound.
A5
TACOMA
TACOMA C3C TACOMA C3C
Typical midrange oriented sound of a Tacoma C3C with its innovative design and unique soundhole
position.
A6
NYLON
NYLON NYLON
Nylon guitar sound great for Bossa Nova and other Latin styles. The trick is to play with your finger
cushions.
A7
DJANGO
SELMER
MACCAFERRI
SELMER
MACCAFERRI
Sound of the Selmer-Maccaferri guitar best known as the favored instrument of Django Reinhardt.
The true sound of Gypsy Jazz.
A8
DOBRO
DOBRO DOBRO
Sound of the Dobro Model 27 with its square neck and resonator. Indispensable for Bluegrass and
Country Blues.
A9
NATIONAL
NATIONAL NATIONAL
The brass body of the National Reso-Phonic Style "O" produces a more metallic sound than a Dobro.
CHORUS &
REVERB
B0
SYMPHONY
MARTIN D-28
CHORUS
ENSEMBLE
Beautiful symphonic sound suitable for any playing style.
B1
TUBY
TUBE PRE AMP HALL
Straight sound of a tube preamp seasoned with some hall reverb. Really comes into its own when
multiple strings resonate together.
B2
SLOW CHORUS
SELMER
MACCAFERRI
CHORUS
ENSEMBLE
Slow chorus sound for finger style Jazz. Experience the spatial depth and ambience of a chorus
ensemble.
B3
BIG HALL
MARTIN D-28 HALL
Long reverb that brings out the glorious Martin D-28 sound to the max. Let loose with fingerpicking.
B4
FLANG
TACOMA C3C MODERN SPRING
Flanger with a chorus-like feel is great for a wide playing range, from arpeggios to stroking.
B5
MELODIC
TUBE PRE AMP
BRIGHT SLAP
REVERB
Tube preamp patch for picked solos makes the original sound stand out with a slightly delayed reverb.
B6
CHORUS WALL
MARTIN D-28 STEREO CHORUS
Select this stereo chorus & doubling patch and feel the sound waves move in like a wall.
B7
BRIGHT
CHORUS
MARTIN OOO-18 CHORUS
With a clearly defined effect similar to chorus for electric guitar, this bright and clear sound fits many
music genres.
B8
STUDIO FLANGER
MARTIN D-28
BRIGHT SLAP
REVERB
Combination of flanger for chord and arpeggio playing, and reverb for bringing out the original
sound. Lends impressive depth to the sound on slow numbers.
B9
12STRINGS
OVATION DETUNE
Simulates the sound of chord strokes on a 12-string guitar. Experience that naturally gorgeous tone
with your own guitar.
ARTIST
C0
PARIS TEXAS
NATIONAL NATIONAL
Slide sound such as played by Ry Cooder on the soundtrack of "Paris, Texas" by Wim Wenders.
C1
AERIAL
BOUNDARIES
MARTIN D-28
CHORUS
ENSEMBLE
This patch is inspired by the sound of Michael Hedges on his groundbreaking masterpiece "Aerial
Boundaries".
C2
CROSS ROAD
NYLON NYLON
The sound of legendary pre-war Blues guitarist Robert Johnson, spruced up with a simulation of that
late 1930s atmosphere.
C3
SCARBOROUGH
MARTIN D-28 HALL
Reexperience the translucent sound of Scarborough Fair on Simon & Garfunkel's third album.
C4
TEARS
MARTIN OOO-18 ROOM
Eric Clapton, MTV Unplugged, say no more. Comfortable, warm sound, yet a clear standout even in
a band ensemble.
C5
INNOCENT
NATIONAL AIR
Whether for slide or fingerpicking, this Ben Harper inspired sound matches various styles.
C6
HERE COMES
GIBSON J-45 STEREO CHORUS
The acoustic guitar sound plus the entire ambience of the Beatles' Abbey Road album.
C7
FRIDAY NIGHT
OVATION ARENA
Al di Meola's epoch-making performances come to live again. Go for that peerless technique and feel
the audience respond.
C8
ABOUT A GIRL
GIBSON J-200 CHORUS
Simulates the unusual acoustic character of Nirvana Unplugged. Tune your strings lower and turn
into Kurt.
C9
ACOUSTIC ELVIS
GIBSON J-200 SPRING
Powerful acoustic sound familiar from Elvis Presley's Country style hits.
VARIATION
D0
PHASE TOP
GIBSON J-200 PHASER
This solid and compact phase tone is the new "allrounder" for acoustic instruments.
D1
SOFT TREMOLO
MARTIN D-28 TREMOLO
Soft, expressive tremolo sound optimized for acoustic guitar.
D2
REAL ACOUSTIC
GIBSON J-45 AIR
Natural acoustic sound modeled on a live J-45. Suitable for finger play, picking, and many other
applications.
D3
MINOR SWING
NYLON NYLON
Classic Bebop Jazz sound for when you just can't stop swinging.
D4
BOTTLE
DOBRO ECHO
Warm wooden tone not only for nuanced bottleneck playing.
D5
FUNKY FOLK
TUBE PRE AMP
AUTO WAH &
MULTI TAP DELAY
Funky sound with auto wah and multi tap takes acoustic guitar to a new level.
D6
MY BACKWARD
FRIENDS
RESOPHONIC REVERSE DELAY
Psychedelic sound using reverse delay will grow on you. Use it to develop a theme.
D7
STEPPING
STONES
OVATION
STEP & MULTI TAP
DELAY
Brilliant trickster sound using a new step technique specially developed for acoustic guitar use.
D8
OVATION SOLO
OVATION DELAY
Bright sound with clear delay components and an Ovation style edge for solos.
D9
RESOPHONIC
RESOPHONIC PINGPONG DELAY
Discover new possibilities in bottleneck playing with this combination of ping-pong delay and Zoom
original resonator guitar sound.
A2 Patch List
• The preset area of banks 0 - 3 contains the same
patches as A - d.
• The ZNR value may need to be adjusted depending
on the guitar and amplifier.
Manufacturer names and product names mentioned in this patch list are trademarks or
registered trademarks of their respective owners. These names as well as artist's names
are used only to illustrate sonic characteristics and do not indicate any affiliation with
ZOOM CORPORATION.
A2 PATCHLIST 1.0