Operation Manual Palmtop Studio PS-02

Technical Information
Technical Information
79
Effect Types and Parameters
DRIVE MODULE
Amp Modeling Sounds
TYPE PARAMETER 1 PARAMETER 2 PARAMETER 3
J-CLN
SENS TONE LEVEL
Clean sound modeled on a transistor combo amplifier
US-CLN
GAIN TONE LEVEL
Clean sound modeled on a built-in type tube amplifier
US-DRV
GAIN TONE LEVEL
Drive sound modeled on a built-in type tube amplifier
TWEED
GAIN TONE LEVEL
Compact combo tube amplifier with dry distortion
CLASSA
GAIN TONE LEVEL
British type combo amplifier with unique crunch sound
UK-CRU
GAIN TONE LEVEL
Crunch sound of a British tube stack amplifier
UK-DRV
GAIN TONE LEVEL
Drive sound of a British tube stack amplifier
CMB335
GAIN TONE LEVEL
Tube combo amplifier with long sustain
MTLPNL
GAIN TONE LEVEL
High-gain drive sound of a tube stack amplifier
BLKBTM
GAIN TONE LEVEL
Tube stack amplifier with fat bass and detailed distortion
SLDN
GAIN TONE LEVEL
High-gain amp drive sound suitable for lead
FZ-STK
GAIN TONE LEVEL
Typical sixties sound of stack amplifier with fuzz
TE_B
SENS TONE LEVEL
Clean sound with mid/low emphasis for bass
FDR_B
GAIN TONE LEVEL
Vintage drive bass amplifier sound
Distortion / Dynamics Sounds
SANS_B
GAIN TONE LEVEL
Trebly drive sound for bass
COMP
SENS ATTACK LEVEL
Compressor for level reducing differences
DYN-CR
GAIN COMP LEVEL
Combination of vintage compressor and crunch sound
DYN-TS
GAIN COMP LEVEL
Combination of vintage compressor and vintage overdrive sound
DYN-GV
GAIN COMP LEVEL
Combination of vintage compressor and distortion
MTZONE
GAIN TONE LEVEL
Rich sustain with high-gain type distortion
9002
GAIN COMP LEVEL
Distortion sound modeled on the ZOOM 9002
ACOSIM
TOP BODY LEVEL
Changes the sound of an electric guitar into that of an acoustic guitar.
MICPRE
LIMIT COLOR LEVEL
Mic preamplifier for using external or built-in microphone