Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited.
Contents SAFETY PRECAUTIONS Usage Precautions • High humidity or moisture • Excessive dust or sand • Excessive vibration or shock SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result.
Features Terms Used in This Manual Thank you for selecting the ZOOM G2.1u (hereafter simply called the "G2.1u"). The G2.1u is a multi effect processor with the following features and functions. This section explains some important terms that are used throughout the G2.1u documentation. IN ● Latest processing technology for outstanding performance 96 kHz / 24 bit sampling (with 32 bit internal processing) assures excellent sound quality.
Controls and Functions / Connections Controls and Functions / Connections Parameter knobs 1 - 3 These knobs allow changing the level of effect parameters or of the overall patch. During rhythm playback, the knobs let you select a pattern, set the tempo, and adjust the rhythm volume. Top Panel Module selector Switches between play mode and edit mode. In edit mode, the knob selects the module for operation. [PEDAL ASSIGN] key This key lets you select the function of the built-in expression pedal.
Selecting a Patch Selecting a Patch Adjust tone and volume To try out the various effects of the G2.1u, we recommend that you simply play your instrument while switching patches. To adjust the effect sound and volume levels in play mode, the Parameter knobs 1 – 3 can be used. Each knob controls a specific parameter. Turn power on Use a monaural shielded cable to connect the guitar to the [INPUT] jack of the G2.1u. When using the G2.
Using the Tuner Using the Tuner The G2.1u incorporates an auto-chromatic tuner. To use the tuner function, the built-in effects must be bypassed (temporarily turned off) or muted (original sound and effect sound turned off). Adjusting the reference pitch of the tuner If required, you can fine-adjust the reference pitch of the G2.1u tuner. The default setting after power-on is center A = 440 Hz. Turn Parameter knob 1. Switch to bypass or mute Setting the G2.
Using the Rhythm Function Using the Rhythm Function The G2.1u has a built-in rhythm function that plays realistic drum sounds in various patterns. The rhythm function is available in play mode or in the bypass/mute condition. Adjust the rhythm volume To adjust the rhythm volume, turn Parameter knob 3. Set the G2.1u to play mode 25 When you turn the Parameter knob, the current setting (0 – 30) is shown on the display. If the Module selector is set to a position other than "PLAY", set it to "PLAY".
Editing a Patch Editing a Patch The patches of the G2.1u can be freely edited by changing the effect parameter settings. Try editing the currently selected patch to create your own sound. Select the effect module Terminate the edit mode To terminate the edit mode and return to the play mode, set the Module selector to the "PLAY" position. Turn the Module selector to select the effect module to edit. The following settings are available.
Storing/Copying Patches Storing/Copying Patches An edited patch can be stored in a bank of the user area (A – d). It is also possible to store an existing patch in another location to create a copy. To cancel the store process To cancel the store process, operate the Module selector before pressing the [STORE] key again ( ). In play mode or edit mode, press the [STORE] key. The bank and patch number are shown on the display as a flashing indication.
Using the Built-in Expression Pedal Using the Built-in Expression Pedal The expression pedal on the top panel of the G2.1u lets you adjust the effect sound or the volume in real time during play. Which element is controlled by the pedal can be selected for each patch individually. Operate the pedal Move up or down While playing your instrument, move the expression pedal up or down.
Use of Expression Pedal/Foot Switch Use of Expression Pedal/Foot Switch The G2.1u lets you use the built-in expression pedal or an external expression pedal (FP01/FP02) connected to the [CONTROL IN] jack to adjust the effect sound or the volume in real time during play. Connecting an optional foot switch (FS01) to the [CONTROL IN] jack allows changing patches or setting the tempo for the rhythm function. Using the built-in expression pedal The built-in expression pedal on the top panel of the G2.
Use of Expression Pedal/Foot Switch 2. Set the Module selector to the "CONTROL" position. Use of Expression Pedal/Foot Switch pressing the RHYTHM [R/P] key. effects. The operating environment conditions for this type of use are as follows. ● dH (delay hold) The G2.1u goes into edit mode. You can now make settings for the expression pedal or foot switch. 3. Turn Parameter knob 2 to select one of the following functions for the foot switch.
Restoring Factory Defaults In the factory default condition, the patches of the user area (A0 – d9) contain the same settings as the patches of the preset area (00 – 39). Even after overwriting the user patches, their original content can be restored in a single operation ("All Initialize" function). Linking Effects The patches of the G2.1u consist of nine serially linked effect modules, as shown in the illustration below.
Effect Types and Parameters Effect Types and Parameters COMP COMP (Compressor) module Attenuates high-level signal components and boosts low-level signal components, thereby keeping the overall signal level within a certain range. How to read the parameter table SENSE Effect parameters 1 – 3 These are the parameters that can be adjusted with Parameter knobs 1 – 3 when the effect type is selected. The setting range for each parameter is shown.
Effect Types and Parameters Effect Types and Parameters RING MODULATOR RG rG This effect produces a metallic ringing sound. Adjusting the FREQUENCY parameter results in a drastic change of sound character. POSITION FREQUENCY bF, AF Selects the connection position of the WAH/EFX module. Available settings are "bF" (before DRIVE module) and "AF" (after EQ/EXTRA EQ module). 1 – 50 Adjusts the frequency that is used for modulation.
Effect Types and Parameters Effect Types and Parameters FLANGER FL FL This effect produces a resonating and strongly undulating sound. EQ EQ (Equalizer) module Allows adjusting the three main bands (BASS, MIDDLE, TREBLE) of the six-band equalizer. BASS ±12 MIDDLE 160Hz Adjusts the low frequency range level. ±12 800Hz Adjusts the mid frequency range level. TREBLE ±12 3.2kHz Adjusts the high frequency range level.
Effect Types and Parameters Effect Types and Parameters TAPE ECHO TE tE This effect simulates a tape echo. 1 – 99, 1.0 – 2.0 TAP Adjusts the delay time. In the range from 10 – 990 ms, the adjustment is made in 10-ms steps (1 – 99). For 1 second and above, the adjustment is made in 100-ms steps (1.0 – 2.0). TIME DELAY DELAY module FEEDBACK 0 – 98, 1.0 Adjusts the feedback amount. MIX 0 – 98, 1.0 Adjusts the level of the effect sound mixed to the original sound.
Effect Types and Parameters Specifications CONTROL CONTROL module Serves for making pedal settings and lets you control the foot switch function and master level setting applying to all patches. RTM DESTINATION See Table 4 When an expression pedal (FP01/FP02) is connected to the [CONTROL IN] jack, this selects the modulation target module for the RTM function (See Table 4).
G2.
C7 C MAJOR HARMONY A8 C8 ACOUSTIK A9 C9 POWERED BY B0 d0 BREATH YOU TAKE B1 d1 Mr. Fripp B2 d2 ORANGE CRUSH B3 d3 AC CLEAN B4 d4 BIG WALL B5 d5 VibroCrunch B6 d6 1984 B7 d7 The SPY who loved me (or Spagetti Western) B8 d8 HEAD LONG B9 d9 This patch is the simulation of the legendary tone of the BOSS OD-1 that is considered the de-facto standard for the overdrive stomp box. The patch can provide high playability and retains the nuances of the guitarists' touches.
Modeling Description MESA/BOOGIE Mark III … Reference for drive effect types and its original models. EFFECT TYPE : BC CRUNCH bC bC The origin of the MESA/BOOGIE amplifier was the modified Fender Princeton. Randall Smith, an amp tech in San Francisco, souped up those small guitar amps to put out 100w power and sold them. The first model was called “Mark I”. Carlos Santana tried one and said, “Shit man, that little thing really Boogies! “ -which gave the amplifier the brand name “BOOGIE.
USB/Cubase LE Startup Guide USB/Cubase LE Startup Guide This USB/Cubase LE Startup Guide explains how to install Cubase LE on a computer, how to make the G2.1u connection and settings, and how to record your guitar play. Cubase LE Installation Connections and Preparations To connect the G2.1u to a computer running Windows XP and to enable audio input/output, proceed as follows.
Continued from front Cubase LE Installation Access the "File" menu and select "New Project". Connections and Preparations Recording with Cubase LE Windows XP MacOS X Make the following settings for the new audio track. 2. The new project window appears. Here you can select a project template. 1. 2. Drag the audio track boundary to the right to display all buttons.
USB/Cubase LE 4 Startup Guide USB/Cubase LE 4 Startup Guide This USB/Cubase LE 4 Startup Guide explains how to install Cubase LE 4 on a computer, make connections and settings for this unit, and perform recording. Cubase LE 4 installation Connections and preparation To connect this unit to a computer running Windows Vista (or Windows XP) and to enable audio input/output, proceed as follows. The installation description uses Windows Vista as an example.
Continued from front Cubase LE 4 installation Connections and preparation From the "Devices" menu of Cubase LE 4, select "VST Connections" and select the device containing the string "Zm In (Out)" ( "USB Audio CODEC" for MacOS X) as input port and output port. Use Cubase LE 4 to record Windows Vista / XP HINT New audio track MacOS X Check the recorded content. When the monitoring button is enabled, the level meter next to the fader shows the input level to the audio track.
