Owner's Manual

147
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The patches in this list can be used in 4CH mode and when the H4n Pro is functioning as an audio interface (at 44.1kHz sampling rate).
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Guitar 00 Tweed Clean This FD TWEED clean sound goes great with Stratocasters. FD TWEED SPRING
01
Liverpool A 60s revival sound is created by gently driving a Class A British combo amp. UK 30A AIR
02
Clean Chorus This clean sound is good for muted rhythmic and arpeggio playing. FD TWNR CHORUS
03
Clean Delay Using a long delay, this clean sound is good for sustained chords and arpeggios. FD TWNR ECHO
04
Clean Trem ;OPZJSLHUZV\UK]HYPLZ[OL]VS\TLHUKJHUILZHPK[VIL[OLVYPNPUHSLќLJ[ HW 100 TREMOLO
05
Aco.Simulate
This acoustic guitar simulation is ideal for stroking. Aco Sim AIR
06
Spy's Shadow Wrapped in spring reverb, this twangy guitar sound is perfect for electric instruments. FD TWNR M SPRING
07
Wah Cutting This funky rhythmic tone uses FD TWNR and AUTO WAH. FD TWNR AUTO WAH
08
Glossy Blues This bewitching Fender '59 BASSMAN crunch sound follows the dynamics of the player. FD TWEED ROOM
09
UK Crunch A sense of AIR is added to the natural crunch of a Class A British combo amp. UK 30A AIR
10
Box Of Edge <Z;OL,KNLWVW\SHYPaLK[OPZKPZ[PUJ[P]LKV[[LKLPNO[OUV[LKLSH`LќLJ[H[)74 UK 30A ECHO
11
HW Crunch Crunch sound of a HIWATT CUSTOM 100. HW 100 ROOM
12
Melody Analog delay adds a natural sense of space to TS+FDcmb for a sound that suits simple melodies. TS+FDcmb ANALOG
13
ZEP Drive A classic Marshall crunch re-creates the sound of Led Zeppelin. MScrunch RackComp
14
Mellow Vibe MScrunch and Vibe combine to create a laid-back sound. MScrunch VIBE
15
70's Drive The sound of 70s rock. MS DRIVE ECHO
16
Boogie Drive The Mesa Boogie Mark III sound creates a mid-range thickness in this drive that is good for soloing. BGcrunch ROOM
17
MS Drive For the early sound of Van Halen, the Marshall is turned all the way up. GD+MSstk ARENA
18
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19
Jet MS Drive /LH]`4HYZOHSSKPZ[VY[PVUPZJVTIPULK^P[OHÅHUNLYMVY[OPZLWPJZV\UK GD+MSstk FLANGER
20
Talking Guy This talking sound follows the guitar pickup position and picking dynamics. GD+MSstk CRY
21
Oct Lead Octave doubling below the original pitch creates a heavy impactful drive sound. GD+MSstk PITCH
22
Dirty Drive Fuzz gives this classic 70s progressive rock sound its powerful sustain. FZ+MSstk ANALOG
23
Fuzz Lead
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Eric Johnson.
FZ+MSstk ARENA
24
XTASY Lead ;OPZTL[HSSLHKZV\UK\ZLZ?;(:@)3HUK,*/6LќLJ[Z XTASY BL ECHO