Reference Guide (PDF Edition)
Table Of Contents
- When your first photo can’t wait
- Package contents
- About this document
- Table of contents
- For your safety
- Notices
- Getting to know the camera
- First steps
- Basic photography and playback
- Basic settings
- Shooting controls
- The i menu
- Playback
- Menu guide
- Defaults
- The playback menu: Managing images
- The photo shooting menu: Shooting options
- Reset photo shooting menu
- Storage folder
- File naming
- Choose image area
- Image quality
- Image size
- RAW recording
- ISO sensitivity settings
- White balance
- Set Picture Control
- Manage Picture Control
- Color space
- Active D-Lighting
- Long exposure NR
- High ISO NR
- Vignette control
- Diffraction compensation
- Auto distortion control
- Flicker reduction shooting
- Metering
- Flash control
- Flash mode
- Flash compensation
- Release mode
- Focus mode
- AF-area mode
- Vibration reduction
- Auto bracketing
- Multiple exposure
- HDR (high dynamic range)
- Interval timer shooting
- Time-lapse video
- Focus shift shooting
- Silent photography
- The video recording menu: Video recording options
- Reset video recording menu
- File naming
- Frame size/frame rate
- Video quality
- Video file type
- ISO sensitivity settings
- White balance
- Set Picture Control
- Manage Picture Control
- Active D-Lighting
- High ISO NR
- Vignette control
- Diffraction compensation
- Auto distortion control
- Flicker reduction
- Metering
- Release mode (save frame)
- Focus mode
- AF-area mode
- Vibration reduction
- Electronic VR
- Microphone sensitivity
- Attenuator
- Frequency response
- Wind noise reduction
- Timecode
- Custom Settings: Fine-tuning camera settings
- Reset custom settings
- a: Autofocus
- b: Metering/exposure
- c: Timers/AE lock
- d: Shooting/display
- e: Bracketing/flash
- f: Controls
- g: Video
- The setup menu: Camera setup
- Format memory card
- Save user settings
- Reset user settings
- Language
- Time zone and date
- Monitor brightness
- Monitor color balance
- REC lamp brightness
- Information display
- AF fine-tuning options
- Non-CPU lens data
- Save focus position
- Image Dust Off ref photo
- Pixel mapping
- Image comment
- Copyright information
- Beep options
- Touch controls
- Self-portrait mode
- HDMI
- Airplane mode
- Connect to smart device
- Connect to computer
- Wireless remote (ML-L7) options
- Conformity marking
- USB power delivery
- Energy saving (photo mode)
- Slot empty release lock
- Save/load menu settings
- Reset all settings
- Firmware version
- The retouch menu: Creating retouched copies
- My Menu/Recent settings
- Establishing wireless connections to computers or smart devices
- Cabled connections to computers and HDMI devices
- On-camera flash photography
- Remote flash photography
- Troubleshooting
- Technical notes
- Compatible lenses and accessories
- Display in the monitor
- Compatible flash units
- Other compatible accessories
- Software
- Caring for the camera
- Caring for the camera and battery: Cautions
- Specifications
- Approved memory cards
- Portable chargers (power banks)
- Memory card capacity
- Available recording time
- Battery endurance
- Trademarks and licenses
- Notices
- Bluetooth and Wi-Fi (wireless LAN)
- Changes made via firmware updates
- Index
Controlling remote ash units
511
4
f
: Group the remote ash units
.
・ Choose a group (A or B).
・ There is no limit on the number of remote ash units that may be
used. The practical maximum, however, is three per group, as the
light emitted by the remote ash units will interfere with
performance if more ash units are used.
5
C
/
f
: Compose the shot and arrange the ash units
.
・ See the documentation provided with the ash units for more
information.
・ Test-re the units and conrm that they are functioning normally.
To test-re the units, press the test button on the master ash.
6
C
/
f
: Take the photograph after c
onrming that the ash-ready
lights for all ash units are lit.
D Remote ash phot
ography
・ Position the sensor windows on the remote ash units to pick up the light
from the master ash. Particular care is required if the master ash is
mounted on a hand-held camera.
・ Be sure that direct light or strong reections from the remote ash units
do not enter the camera lens (in [TTL] mode) or the photocells on the
remote ash units ([
q
A] mode). Otherwise light from the ash units may
interfere with exposure.
・ Even if [––] is selected for [Master ash] > [Mode], the master ash may
emit low-intensity timing ashes. These ashes may appear in
photographs taken at short range. This can be prevented by choosing low
ISO sensitivities or small apertures (high f-numbers).
・ After positioning the remote ash units, take a test shot and view the
results in the camera display.