Algorithm Manual Revision 4
Table Of Contents
Reverb8
32 System 6000 MKII Algorithms – Firmware version 6.5.0
►
9: Front L, FL
►
10: Front R, FR
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11: Front Center, FC
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12: Back Center, BC
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13: Back L, BL
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14: Back R, BR
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15: Side L, SiL
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16: Side R, SiR
If not all loudspeakers are available, the respec-
tive outputs may be left unconnected. Also, the
TpBC output may alternatively be used for Top
C (TpC).
About the Scene Presets
►
Scene Preset “Symphony Hall 1x16”: Mono in
to the output configuration shown above.
►
Scene Preset “Symphony Hall 2x16”. Stereo in
to the output configuration shown above.
Input routing is included as an example and
works well with typical composite stereo mix-
es. Optimum routing depends on type of in-
put.
►
Scene Preset “Symphony Hall 5x16”: 5 chan-
nel in (5.1) to the output configuration shown
above.
Input routing is included as an example and
works well with some 5.1 stems. Optimum
routing depends on type of input. In some
situations a stem downmix to stereo or to LtRt
can give a more satisfactory result.
Running more than one
instance of Reverb8
Each System 6000 MKII frame can run up to two
instances of Reverb8 – which also occupies all
the 16 output channels it offers as seen in Fig3.
If more channels are required, you will need to
use more System 6000 MKII units.
Fig3. Mono in, 16 channel reverb out
Flexible routing options
Of course, the input does not have to be a mono
signal. Feeding stereo, 5.1, 6.1, 7.1 or x-to-x chan-
nel stems is easy using System 6000 MKII’s rout-
ing matrix. Sometimes, shuffling input channels
creatively around may produce a more pleasing
result. A stereo input example is shown in Fig4.
Fig4. Stereo in, 16 channel reverb out